maanantai 2. toukokuuta 2016

PictureCorrect.com: How to Take Product Photos on a Budget

Believe it or not, you can shoot professional quality product photos using tools that cost you less than $10. That’s of course not counting the camera and the lens. If you always thought that product photography required great quality lighting, a professional white background, and other specialized gear, this video might be an eye-opener for you:

Photographer Luke Ayers shares a simple technique that uses supplies you can buy at your local hardware store.

Supplies for DIY Product Photos

  • a table set up next to a wall
  • a white flexible background (you need it to be curved to create a seamless/infinite background for your images)
  • a couple of clamps to hold the background into position
  • fluorescent light bulbs
  • a shoebox (preferably white)
  • a sheet of baking paper

How to Light a Product Photo

A bright fluorescent light hanging one and a half feet from your product is bound to create some strong shadows. To counter this, Ayers shares two tips.

  1. Place a shoebox (presuming it is white) on the right of the product facing the light. This works like a reflector, throwing some light back on to the product and thereby lifting the shadows.

diy reflector

  1. Cut out the top of a shoebox and tape a sheet of baking paper on top of it. Use this as a diffuser by placing it between the light and the product. The diffusing material (baking paper) makes the harsh florescent light appear softer. Shadows are reduced and the whole image looks a lot more professional. For best results, add the diffuser box and the reflector together.

diy diffuser

And there you have it: an easy and inexpensive method for getting professional looking product photos.


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sunnuntai 1. toukokuuta 2016

PictureCorrect.com: 7 Questions to Help You Find Your Perfect Personal Photography Project

Looking for the perfect photo project can sometimes be as challenging as searching for the perfect shot. Personal photo projects are a good way to motivate yourself to shoot more pictures, stretch your creativity, or even support the causes that are important to you, but how do you find the right ones? What do you do with the photos once you’ve found the perfect project? Here are seven questions to jump start your creative thinking.

faces of africa photography project

photo by Mark Fischer

1. What are your hobbies?

This should be obvious, but you want your project to be something you will be motivated to continue over the long term. What better motivation than something for which you already have an interest? Take your hobbies and look for ways to document them, explain them, or showcase them.

2. What are your communities?

Churches, clubs, or informal groups can also provide options for personal projects. Because you are a member of these communities, you have access to get in close and share what attracts you to them. Alternatively, you can help them tell their story.

3. What magazines do you read?

The magazines you read reflect your interests, but you can also find another creative benefit. Each magazine has its own editorial style. Give yourself the assignment to shoot in their style and then personalize the photos to make your own version of the publication.

flute photo

photo by John Liu

4. What skills do you want to master?

Let’s say you want to get better at portrait photography, a project that allows you to focus on that skill would be ideal. 100 Strangers is a project that lets you pair portraits with street photography. That can be a fun combination.

5. What are your values?

This is a little more abstract, but your value system can be an interesting place to find ideas. What do you care about? There’s probably a way to tell that story or support a cause with your talents.

6. What makes you angry?

Someone once told me that the things that make you angry can usually point you to your purpose. For instance, if you get mad every time you think about (insert your issue here), working to right the wrong might be your true calling. What makes you crazy out there? Use your photos to document those injustices, or maybe you can highlight your solution. That might be more satisfying than you think.

7. Who inspires you?

This could actually be a portrait angle or a values angle. A theme that follows the people who inspire you can be rewarding. One of my friends created a personal heroes project that is similar to this idea.

What will you do with the images?

Finding a personal project is satisfying all by itself, but what you decide to do with the images could provide an extra level of motivation.

  • Blog them – This is probably one of the easiest ways of sharing a project. Blogs allow you to become your own publisher and share your photos and thoughts in an ongoing timeline. Share them with your community and inspire a conversation.
  • Donate them – For every cause or topic, there is likely a nonprofit in desperate need of photos. Volunteering to support a needy organization is a great way to use your talents. You get a creative outlet. They get resources to tell their story and propel their mission. You can’t beat that.
  • Photo book them – These days it’s so easy to create your own photo book or other product. Online sites make it easy to create a coffee table-quality book that showcases your work and ideas. You can sell them or keep them as your own personal brag piece.
  • Publish them – If there is a news component to the project you select, you might find your community newspapers eager to publish your photos. All editors love impactful images, and someone who sends them great storytelling photos will soon become a best friend. You get exposure. Newspapers get content. Readers learn.
  • Sell them – Just because it’s a personal project, doesn’t mean you can’t make money from it. Your personal online gallery could allow you to offer your photos for editorial or commercial use. You might even consider stock or micro stock photography sites.

If none of these ideas appeal to you, try a Project 365 – photo a day or Project 52 – photo a week. This has the added benefit of motivating you to take more pictures regularly.

No matter how your personal photo project unfolds, you will find that there are great rewards both in the process of creating and in the sense of accomplishment when you have completed it.

About the Author:
Lynford Morton (http://ift.tt/AAECV1) spends weekends at Washington, DC’s favorite locations—making new friends and sharing my love of photography with eager new photographers. Living the dream.


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PictureCorrect.com: Interesting Photo of the Day: Busy Day at the Bird Feeder

Composite photography opens up new doors for the creative photographer. You can make the impossible seem possible. You can turn vivid and wild dreams into a reality. The possibilities are endless. Just take a look at this image for proof:

backyard birdfeeder

Busy Day at the Bird Feeder (Via Imgur. Click image to see full size.)

The photographer has a busy bird feeding station in his backyard, and when he wanted to create a photograph of all the different kinds of birds that visited the feeder, he called on composite photography. After taking many photographs of all the birds, he stacked the frames on top of one another in Photoshop to create this awesome photo.


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PictureCorrect.com: Street Photographer Takes on Stereotypes

Street photographer Zun Lee didn’t set out to become a photographer, he just used the hobby as a way of relieving stress and found he really enjoyed—and had an eye for—documenting people on the street. Without even knowing it, he was drawn particularly to fathers and their children, which would become an important theme in his work, especially after finding out the man he knew as his dad was not really his biological father after all:

In the 1960s, Lee’s Korean mother moved to Germany, had a brief affair with an African American man, and became pregnant. She would go on to marry a Korean journalist who raised her son as his own, but as Lee grew up, the two would have a strained relationship. In 2004, Lee’s mother told him of the affair, breaking the news that the father he knew was really his stepdad. The news was not only shocking for Lee, leaving him confused and hurt, but it also made him question his identity.

Learning that his real father was black, Lee would try to explore the stereotypes of black fathers through his photography.

“When we talk about black fathers, the imagery associated is that they’re irresponsible, they’re absent, they’re deadbeats and not willing to pick up their share of personal responsibility. The examples to counter the negative stereotypes are Dr. Cliff Huxtable or even Barack Obama. It’s one or the other. There’s very little about the everyday dad who may not be perfect, but is still a part of his child’s life.”

black father child relationship photo

For Lee, exploring father-child relationships is deeply personal and he photographs them to show the authentic, true moments of fatherhood. His project, “Father Figure,” is an intimate document of real African American fathers that challenges the stereotypes of black families.

“As I was photographing these fathers, I realized not only are they warm, affectionate, and loving to their children, but they’re not perfect. None of the fathers are. There is no such thing as the perfect father—that is something the media tries to tell us.”

changing black stereotypes photo

Lee is also working on another project called “Fade Resistance” that revolves around discarded Polaroid pictures of black families that he found.

“If you look at the actual images, they are so full of love and pride and joy—these are not just regular family photos. They have this very specific context of resistance, showing something that goes against the stereotype.”

zun lee photo project

On his website, Lee writes that he wants to develop an interactive, digital archive of the found photos that will serve as a meeting ground for writers, photographers, historians, and viewers to draw histories, stories, and meaning from generations of self-representation and inspire collaboration and conversation about black stereotypes.


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PictureCorrect.com: Studio Lighting for Photographing Athletes

How do you make an athlete look his or her best? Michael Corsentino from Behind the Shutter demonstrates how to create dynamic lighting setups to illuminate and flatter athletes in a studio environment. There are a lot of takeaways from this informative 16 minute video. Here are a few highlights:

Cross Lighting

As the diagram below demonstrates, a cross lighting pattern uses two lights on either side of the subject. In this case the light on the camera right is the key light and the one on the camera left is the accent light.

cross lighting for photographing athletes

Cross Lighting

As is evident from the image above, cross lighting works really well for athletic portraits, because it helps sculpt the physique of the model. The beauty of this arrangement is the flexibility that comes with it. By changing the position of the model you can turn your key light into an accent light and vice versa.

Strip Boxes

strip boxes, high contrast lighting, studio lighting, cross lighting

Strip Boxes

Corsentino used two different sizes of strip boxes for the shoot. Both are Elinchrom Rotalux. The smaller size was used on camera right and served as the key light. The longer one was set up on camera left and served as the accent light.

V-Flats

V-flats are 4 foot by 8 foot piece of flat foam core, which are available as reversible black on one side and white on the other. These can be taped together and used as black or white backgrounds or to block light.

Flags and Cutters

These are used mainly for blocking light. In the first lighting arrangement two of these used on either side of the camera to block flares being generated by the two lights on the lens. In the second arrangement (detailed below) one was used on camera left to cut down flare and another one was used behind the key light (camera right) to help block light spilling onto the background.

Cortesino also used Profoto 7A 2400 WS battery packs, Profoto ProHead, Pocket Wizard Plus III and Sekonic L-758DR.

While this setup is not complicated, it’s definitely an art. The right placement of the lights really emphasizes a model’s form.

For Further Training on Flash Photography:

Learn how you can take professional photos with off-camera flash – the new, easy, inexpensive, portable way to take professional photos without expensive studio gear.

Found here: The Flash Photography Course


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PictureCorrect.com: Interesting Photo of the Day: Ethereal Lake Matheson

Whenever one thinks of New Zealand, the stunning wide-angle scenes from the Lord of the Rings trilogy come to mind. But there is more to New Zealand than just that. This is exactly what photographer Humayun Qureshi proves with this breathtaking shot of Lake Matheson from the South Island:

mount cook and mount tasman reflection over lake matheson

Sunrise over Lake Matheson (Via DeviantART. Click to see full size.)

One of the things Lake Matheson is known for is its near-perfect reflections of two of New Zealand’s highest mountains, Mount Cook and Mount Tasman. If you are lucky enough, the mist will intertwine with the morning rays of the sun and create all sorts of crazy colors for you to make a breathtaking photograph like this one.

Just for the record, Qureshi used a Canon 5D Mark II paired with a Canon EF 24-105mm f/4L IS USM set at 13 seconds, f/16, 50mm, and ISO 100 to capture the above shot. It’s a stunner, isn’t it?


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