perjantai 30. syyskuuta 2016

PictureCorrect.com: 13 Bad Habits That Can Ruin Your Photography

Do this simple test below. For each bad habit, give yourself a test score.

photography bad habit quiz

photo by MIKI Yoshihito

1. Leave the Camera at Home

The best camera is the one you have with you—even if it’s on your smart phone. Not every photo you take is photography competition material nor is it of commercial value. Regardless, a huge megapixel count and optimum lens quality on a DSLR is useless if left at home.

2. Rely on a Single Memory Card

Those little storage cards are expensive, but the temptation to be frugal will bite you on the bum. Murphy’s Law states that your memory card will fill up precisely when you’re shooting that money shot, when the light is right, or when the entire group is all smiling at you. The remedy? Buy more memory cards.

3. Don’t Back Up Your Photos

I know a friend who fills up a memory card with images then buys another, fills that up, then buys another—a dangerous habit! He recently confessed he’s lost some of his precious photos. Personally, I have experienced the pain of having a hard drive fail, losing more than a year’s commercial photography work. To be super-secure, you really should store your photographs in three different locations.

4. Chimp

Constantly checking your images on the LCD display is called chimping. Nothing wrong with it, unless you’re into street photography or at a wedding or party. You may miss that decisive moment, as you’re too engrossed in the perfectionistic tendency of chimping.

chimping

photo by Jim Pennucci

5. Shoot from Eye Level

Amateur shutterbugs tend to hold the camera at head-height. However, this will produce predictable results. When shooting in a location, learn to ‘work the scene’. Drop to your knees, or even lie on the ground, searching for fresh angles. An aerial perspective can be stunning. Remember that the best tool of composition is your feet.

changing perspective

photo by in transition

6. Fail to Consider the Background

Look for a simple background behind your subject. For example, avoid having a telephone pole in the distance that appears to protrude from a person’s head. If you have a long lens, you can employ a narrow depth-of-field to blur the background. This will isolate your subject from the clutter beyond, achieving a degree of separation.

7. Center the Subject

Ignore the rules of composition at your peril. If you want your photos to stand out, learn and use the Rule of Thirds rather than place your focal point bang in the middle, like most folks do, (in blissful ignorance). Or, add dynamic by tilting your camera at an angle. Don’t forget to try different types of framing: portrait orientation versus landscape orientation. Or even a really wide panoramic crop.

8. Shoot Only in Bright Daylight

Confession time… I am guilty of this. Because I trained back in the bad old days of film, when strong light was necessary to capture good images, I became a fair-weather photographer. Also, I used compact digital cameras for a decade, which were hopeless in low light situations. So I was infatuated with clear, blue skies, as cloudy skies often washed out into a white haze.

However, under a harsh, midday sun, shadows are short and therefore objects do not look three-dimensional, lacking form. Human subjects may squint into the sun, or blink. Worse, they may have an ugly ‘sun-dial’ effect under their noses! Better to pose people in the shade.

photography at sunrise

photo by Jeff P

Landscapers should learn to work with softer, diffused light, This is mandatory for waterfall scenes. Thunderclouds overhead will introduce a sense of foreboding that blue skies cannot. Golden hour lighting will exude warmer tones and longer shadows.

9. Don’t Read the Camera Manual

Same old story: you buy a new camera, put the box away and the camera’s manual stays inside the plastic bag. Perhaps you were too eager to use your new gadget. Well, now it’s time to dig out the manual, and attack it with a highlighter pen.

Be methodical, and diligently work through each function of your camera. You may find features you didn’t know existed!

10. Shoot on Auto

If you haven’t read the camera manual, your photos may suffer from the restrictions of shooting in Automatic mode. Modern cameras are amazing and can produce great results on Auto, but not consistently. Better to take control yourself. Learn the semi-automatic shooting modes, such as Shutter Priority or Aperture Priority. Then, if you are brave, try shooting on Manual.

11. Think That Post-Processing Can Fix Anything

This is a lazy habit to fall into. It’s much better to get a shot right in-camera, including the correct exposure, as blown-out highlights cannot be retrieved later. Another consideration is ensuring that the horizon is straight, or you will lose the edges of your image when rotating then cropping it on a computer. Use the 3×3 grid on your LCD display or a spirit level fitted on the hot shoe.

If you shoot landscapes, buy some ND and ND grad filters. The most useful filter is the polarizer, the effects of which cannot be replicated using software.

Finally, it’s better to do a bit of gardening, removing distractions from a scene, than be forced to clone them out in Photoshop—tedious work!

12. Shoot Only JPEGs

JPEG files are compressed. Unfortunately, this narrows the dynamic range of your photographs and changes the color according to the camera’s presets. This can’t be undone. Shoot using the RAW file format, as this is more forgiving. RAW allows you the latitude to correct exposure and color, as well as sharpen the image, on computer software. Think of RAW files as digital negatives, that need processing and fine tuning.

13. Post Too Many Photos

We all take poor pictures, badly exposed or blurry, but there’s no need to inflict these on the unsuspecting public! Carefully select only your best images, then process these on the computer.

posting too many photos

photo by Kevin Jarrett

Also, display a variety of images on social media or online galleries, but limit these to 3-5. Essentially, don’t submit minor variations of the same shot.

So, what’s your score? How many bad habits can you identify with?

Tick these habits and tally up your total.

Scoring

1-3 habits. Wow! You are disciplined and must have done a few photography courses.

4-6 habits. Not bad. But there is room for improvement.

7-9 habits. Don’t despair; there’s still hope for you.

10-13 habits. You need professional help!

About the Author:
Written by Ray Salisbury. This article is part of a 28-page eBook (Jumpstart Your Photography), designed to educate & inspire beginning photographers.


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PictureCorrect.com: Simple Infrared Photography Tips Anyone Can Do

Want to add a little punch to your photos? Try shooting in infrared to get oversaturated, dream-like images that really draw the viewer in. Check out this video of Danish photographer Esben Zollner Olesen, an IR photography god who specializes in infrared sports photography portraits:

There are two options when it comes to shooting infrared.

  1. You can use an infrared filter on your lens.
  2. You can convert your camera to IR permanently—to do this, you have to remove the IR cut filter and install an IR filter.

If you want to specialize in the field of infrared, converting the camera is probably the better option, since you can shoot with faster shutter speeds and a lower ISO. This is especially useful when shooting high-paced action shots like sports photography portraits. If you want to convert your camera to IR, you should send it off to a company that specializes in such conversions so you know it’s done right.

No matter which option you choose, however, the results will be drastic and stunning.

normal camera raw file

An infrared camera will produce a raw file like this:

infrared-camera-portrait

Shooting infrared means you have to adjust to a shifted focus as the light is perceived on a different wavelength. Some lenses have a red dot that indicates the shift and helps you focus better manually.

Infrared Shooting Tips

  • Use small apertures and run tests to ensure your subject is in focus.
  • Midday sunlight is preferred for shooting IR photography.
  • When shooting portraits, use a flash to fill in the shadows and enhance the subject.

Post-Production Tips

  • When importing your images, make sure to set the white balance at a point where the sky looks a little bit red and the skin tones look slightly blue.
  • You can swap colors in Photoshop using the Channel Mixer.
infrared image with post processing

Infrared Image with Post-Processing

You can fine tune your images in post-production to get the look you want. Most importantly, experiment! Try new things, you may be happily surprised with the outcome.


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PictureCorrect.com: Interesting Photo of The Day: Cute Puppy Wants To Go Home

The internet is a great resource for photographers and lovers of photography, with multitudes of great photos right at our fingertips just waiting to be seen. One of the world’s favorite pastimes could even, arguably, be looking at photos of cute animals, especially baby animals. If you’re not convinced, take a look at this picture of a soggy little puppy that has an expression worth a million words:

This cute puppy is hard to resist snapping a photo of (via imgur)

The photo, aptly titled, “Can We Go Home Now?” was snapped by photographer Jessica Younker. Younker has done a great job at capturing emotion in this photo through the puppies expression. Like any great photo, this one tells it’s story without words. And let’s not forget the composition and depth of field that was perfectly on point.


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PictureCorrect.com: How to Shoot a Bathroom Beauty Photograph

Like any other form of photography, when shooting indoor portraits you have to remember that light changes outside will also affect the contrast and balance on the inside. While it can be easy to get caught up in what gear you need to capture the shot, there are plenty of other elements to keep in mind. To help understand a little more about what it takes to capture an amazing beauty shot, UK based contemporary photographer Damien Lovegrove provides a behind-the-scenes look at his country hotel bathroom shoot:

When capturing a portrait, there are a variety of aspects you need to think about. Whether you’re taking photos of your friends or capturing beauty shots for a project, each element provides a key ingredient to the mix for a great photo.

damien, lovegrove, portrait, beauty, photography, bathtub, bathroom

Captured with a FUJIFILM X-Pro2 using ISO 400 and 1/60 of a second

Composition

What you place inside your frame can either make or break your photo. Always make sure to play around with your subject and see what changes you can add to make it more interesting.

Expression

Many people tend to forget portrait photography is all about expression. People want to have some sense of emotion when they view a great portrait shot, and you need to connect with your model.

Focus

The subject of your photo can be placed just about anywhere (foreground, middle ground, background) in your photo. To add more interest to your image, play around with your focus. This will not only add contrast, but also alerts the viewer where they should be looking first.

Lighting Placement

Lighting is one of the most important aspects of your photo. It not only sets the tone for your entire image, but it also illuminates the area so your subject is visible.

Props

Every detail counts in photography, and props are a great way to enhance your overall look. For instance, Lovegrove places a pair of shoes within the shot.

In most cases, you should prep your area ahead of time (set your lighting, add props, etc.), as this will allow you to make any significant changes before you bring in your model.


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torstai 29. syyskuuta 2016

PictureCorrect.com: How to Shoot the Perfect Picture

An image does not just appear in front of your lens and you press the shutter button and there it is. Neither is it luck or pure chance. The perfect image starts long before you press the shutter. It starts when you are far away from the scene you are about to photograph. How to start that process and what route to take to get the image is what I am going to help you discover on this exciting journey as you learn digital photography.

take amazing pictures

Photo by Alan Bloom; ISO 500, f/4.0, 1/400-second exposure.

I discovered many years ago that great images and those dramatically inspired photographs don’t just happen. If you were to speak to a National Geographic award winning photographer, you’d find out that there is a process that leads up to the outstanding image. Now, I am not going to give you the keys to that type of image, because I wasn’t part of the photographer’s process. I am going to give you some basic steps to get you moving toward your personal goal of that perfect image. Before we go on, I need to make it clear that the perfect image for you is one that is in your mind and nobody else’s. So here are some tips to head you in the right direction.

1. Define yourself as a photographer

This is really simple and not as difficult as the step sounds. Defining yourself as a photographer means discovering what you like to shoot and what genres you want focus on. This might be landscape, portrait or close-up and macro. If you don’t do this you’ll be a generalist and never focus on what really motivates you to take photos. As I said, the perfect image starts with a process and this is the first step.

how photographers take perfect photos

Photo by dawolf-; ISO 800, f/4.0, 1/200-second exposure.

2. Learn to think

Once you know what you want to shoot and have an idea of what you really like, it’s time to take a step back from the actually shooting and learn to think. Take time out to think about what the final result will be. Begin with the end in mind. If you love close-ups, is it that green tree frog with bright red eyes? Or, perhaps the bee on a bright red flower? Start to visualise what the final images should look like and what you need to do to get to that point. Where you need to go, at what time of day, and what equipment you need to take with or plan to buy now or in the future. The perfect image comes from a lot of thought and planning.

nature photography

Photo by vincentraal.

3. Take your time

Perfect images can never be rushed. As the golfer who takes a lucky swing and gets a hole in one so are the chances of you getting the lucky shot. By taking your time to find the right location, setting up equipment properly, and thinking about the image, you will increase your chances of that perfect shot. Passion and enthusiasm are sometimes hindrances to great photography because they induce haste and speed, which are big negatives to the process.

4. Plan

This is a key component to realising a great image. It includes finding the best location for a perfect photo, preparing your equipment, working out the technical aspects of the image, and understanding what the best lighting and other weather conditions will be. Those who fail to plan, plan to fail. A good plan will increase your chances a hundredfold of shooting the photo of your dreams.

5. Experiment

Although you have a plan and a series of steps you need to take to get the image in your mind’s eye, don’t be afraid to experiment. Make sure that you implement your plan carefully; this is number one. But be prepared to try out other ideas, angles, and settings. You never know what will happen, and a variation of your plan may just result in something dramatic and an image that is beyond your wildest dreams.

how to take the best photos

Photo by Mazda Hewitt; ISO 1600, f/5.3, 0.6-second exposure.

6. Practice makes perfect

If at first you don’t succeed, try and try again. Practice makes perfect is what the old adage says. If the plan doesn’t work out then try it again and again and again and vary it, as I said when experimenting. You may get 70 percent of the plan right or even only 50 percent. Don’t give up, but keep on trying because next time it will be 75 or even 90 percent right. As you go along, you’ll find yourself perfecting your techniques and repeating the successes more often. All this adds to the process, and you will find yourself getting nearer and nearer to that perfect image.

Once again, the perfect image is one that is in your mind and not someone else’s. Nobody can prescribe to you what that image should be. It may look like something in a travel magazine or on the cover of Nature magazine or National Geographic, but it is still your image. Take the time to plan, experiment, and practice until you reach that perfect goal in your photographic journey. As you learn digital photography you will learn something new every day, so build on it, and soon you will become an accomplished photographer. Happy shooting!

About the Author:
Wayne Turner has been teaching photography for 25 years and has written three books on photography. He has produced 21 Steps to Perfect Photos; a program of learner-based training using outcomes based education.


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PictureCorrect.com: How to Create a Sunset Lighting Effect While Taking Photos Indoors

Indoor-sunset themed photo shoots are among the easiest and hottest trends you can experiment with to create cool, sexy and flattering photos to add to your portfolio. All you’re going to need in order to achieve this look are a back light, which should consist of a single bare bulb in a strobe, and a main light, which should be a warm, neutral colored bulb. You may also want to enlist the help of a standard reflector to keep your images from becoming too dark:

One of the simplest ways to flatter and encompass a sexy yet casual look is to create a controlled, indoor-sunset themed shoot. You will need the following:

  • A bare bulb strobe for back-light
  • Light gel to create a subtle sunset/sunrise effect
  • A warm, neutral colored main bulb to produce soft ethereal light on the model
  • A standard reflector to keep light on the shadowed side of the model’s face.

The most effective way to keep enough light in the shot without creating an overbearing camera reflection is too use a black cloth on the side of the lens. This will eliminate a lens flare from your shot, while lens flare is an added luxury to the indoor-sunset shot and creates a lounge-like, relaxed feel to the photos, it is usually a big no-no in the photography world. As you can see below however, in this type of shoot, it can be sexy and relaxed, which is what most photographers who do this type of shoot are aiming for.

Untitlededited

indoor sunset

To achieve this look, use the bare-bulb strobe in the background to create the orange-y, sunset/sunrise type of light. This back-light is endlessly forgiving and flattering and is one of the easiest ways to make a sultry image really pop.  To keep from having your subject’s face washed out by all the back-light, you may want to place a main bare bulb in front of the model. This bulb should be a warm, neutral bulb as to not create too much foreground light. If your subject is still too shadowed in this low-light shoot, you can bring in a standard reflector and use it with the silver side up to cast extra light onto the face.

If the trendy-sexy, flattering back light relaxed summer look is what you’re going for, use these tips and techniques to optimize your skill and show just how gorgeous appropriate lighting can make your model look!


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PictureCorrect.com: Interesting Photo of the Day: Ominous Storm Approaches

People like to take pictures of the sky — fluffy fair-weather clouds, sunsets shot with pinks and golds, great expanses of clear blue. But sometimes foul-weather skies can be beautiful in their own way. A prime example is this picture of a magnificent storm brewing off the coast of Riva Levante in Liguria, Italy:

storm photography

Ominous storm with waterspout touches down off the Italian Riviera (Imgur)

The photo, captured by Gian Paolo Chiesi, depicts a weather phenomenon known as a waterspout, a tornado-like formation that occurs over water. Above the waterspout, many different types clouds tower overhead, looking dark and ominous while bits of blue sky try to peek through behind. Chiesi used a Singh-Ray Reverse filter with a 2-stop density on his camera.


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PictureCorrect.com: How to do Holopainting

We’ve all heard of hyperlapses, stop-motion, and light painting. But what is holopainting? It’s a newly invented technique that combines hyperlapse, stop-motion, and light painting with an extensive post-processing routine to create images that look like holographic paintings. Here’s how it’s done:

Thomas Pöcksteiner’s and Peter Jablonowski‘s university graduation project involved 24 Raspberry Pi computers and webcams to build a giant 3D scanner.

holopainting technique

Raspberry Pi computers and webcams being set up

These individual computer and camera systems were arranged in a circle. Each made a photo of the subject in the center but at a delay of 83 milliseconds so the movement of the subject was also recorded in a bullet-time setup.

How to make holopainted images?

Bullet time setup

Each of the images then went through a painstakingly long process where the subject was cut out from the original background and placed against a solid black background.

Holopainting editing technique

Images being edited for the background

The next process involved a light painting artist who painted the original images against the current camera position using a Pixelstick, which is a computer operated light painting stick consisting of 200 LEDs.

Pixelstick for holopainting

Images being painted using the Pixelstick

The holopainting technique

Final Image

With camera positions meticulously maintained to match the previous shot, the team could mimic a holographic image that was entirely light painted.


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