Like many other disciplines, photography has its own rules. However, portrait photographer James Allen Stewart has found that by breaking these long standing composition rules, you can compose more intriguing and vibrant images. In this helpful tutorial, Stewart shows four traditional photography composition rules and how breaking them helped him create two new rules for photography composition:
One of the amazing things about photography is the ability for photographers to strategically break away from the rules to create their own unique spin on things. By utilizing different concepts to create the image, Stewart further explains how to maximize the elements within your frame to create more dynamic images. To begin, he starts by reiterating four common principles of photography composition.
Rule of Thirds
One of the most commonly utilized concepts in photography is the Rule of Thirds. This simple concept breaks the entire frame down into nine individualized squares, with important elements one third of the distance from any of the sides (e.g. the subject’s eyes or a landscape horizon).
Rule of Thirds
Straight Lines
Straight lines give stability to the image. These lines typically go from one side of the image to the other or from corner to corner, providing a sense of motion or drama.
Straight Lines
Balancing Objects
Balancing objects is another simple composition concept. The premise is to balance out your image by placing objects to fill the voids within your frame.
Balancing Objects
Cropping
Once you’ve captured your images, you may find elements within your frame that distract your viewer from your subject. By cropping your photos, you can eliminate these distractions and create a more pleasing image.
Cropping an image to remove distractions
Balance Between Light and Dark
Instead of starting by using principles such as the Rule of Thirds, Stewart considers the weight of both light and dark elements within the image and how the dark elements of an image weigh more than the light. For example, if your dark elements are situated towards one side of your frame or image, it will appear heavier on that side. This in turn gives your image an uneven feel, and can draw your eyes to the edge.
The image on the left pulls the viewer’s eye to the edge, while the image on the right is balanced out with light elements.
Therefore, if you use a dark subject on one side of the image, you need to balance out the weight of this portion of the image on the other side, similar to counter weights on a scale. This can be achieved by using dark elements on the other side of the image, or by adding more light elements. The purpose of this technique is to allow your eyes to rest where it is suppose to when looking at your image. This concept is very important to understand, because as Stewart explains: as long as these two components are balanced within your photo, the Rule of Thirds becomes less relevant.
Direction / The Story.
Direction / The Story
One of the more fascinating concepts introduced by Stewart, the Direction / The Story concept is based off how we read and write from left to right. Similar to writing a story, your photo composition should tell a story with a beginning, climax, and ending. For instance, in the first image (above) if you were to use the eyes as the ‘climax’ of the story, then it occurs too soon within your photo’s story and doesn’t allow your viewer anywhere to go afterwards. However, flipping the image around (second image above) allows your viewers to see your story unfold more naturally.
“The hard part is listening to what you feel. It’s like the movies, where a bank robber tries to open the safe lock and he’s listening closely for the small clicks. This is what you do. You nudge it until it clicks…”
For Further Training on Composition:
Learn the optimal settings to ensure sharp crisp shots, how to take multiple exposures to ensure you capture all the available light in the scene, and how to compose your photo for maximum viewer interest. Then learn how to bring out the best of your shots with quick and efficient post-processing techniques.
Found here: The Photography Tutorial eBook
Go to full article: The New Rules of Photography Composition
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