sunnuntai 29. toukokuuta 2016

PictureCorrect.com: Photography Tips for Wall Art

Almost every photographer has had the urge to mount and display his or her photos as wall art, either at home or maybe in the office at work. At one time or another—we’ve nearly all done it—we took one of our ‘best shots’, had an enlargement made, and framed it. We brought it home or to the office and hung it on display. Then something depressing happened; the picture became unsatisfying, then boring, and finally, wall clutter. What went wrong?!

wall art photography

“Tuscan harvest” captured by PictureSocial member David Hobcote

Perhaps a favorite shot beguiled us and we overlooked a basic fact: many good photo’s are better suited to a book or a magazine. They’re simply not appropriate for hanging upon a wall. Sometimes pictures with strong contrasts and vibrant colors can look very pleasing at first, then start to grate on us after a while if displayed as wall art.

So, now we are a little sadder but what we really want is to become somewhat wiser. We realize that what we need are photo’s that can be displayed as prints and stand the test of time, right? Definitely. Prints with lasting interest! So, how do we go about successfully shooting for that specific goal? Well, there isn’t any simple sure-fire method. But there are a few basic things to keep in mind which can definitely help in making and displaying wall art prints with lasting interest.

What lasts?

If you do a bit of looking around in your local decorative art & poster galleries, and ask a few discreet questions of the sales staff as to which kinds of photos are most in demand for home decor, you’ll likely discover, as I did, the following:

  • They are usually landscapes which have a definite mood
  • They are usually foreground or middle ground scenes, not panoramic vistas
  • The colors in them are usually muted, or pastels
  • They are often shots with mist and fog in them
  • They are usually printed on a ‘luster’ (not glossy) print surface

You can readily see that most of these factors will usually add up to a ‘painterly’ looking print. They will provide subtle pastel colors. Since such pictures already have a proven track record as successful (i.e., enduring!) wall art, why not use the above info as a set of guidelines for shooting wall art photos of lasting appeal?

If you want to display some of your photos as prints on an office wall, here’s the scoop on ‘commercial & business area’ photo decor that wears well:

  • They are mostly close-ups of flowers, leaves, ferns, etc., with dew or rain drops on them…
  • Or else, they are frequently natural abstract or pattern shots
ice landscape

“Cold Blue Ice” captured by PictureSocial member Evar Guomundsson

  • These pictures often feature strong color and a near-graphic look
  • These kinds of prints are best made on glossy or semi-glossy print materials

These type of prints yield brighter colors and stronger contrast for a bolder look. Here too, you may want to make use of marketing info as practical guidelines for your own wall display shooting.

Find it

Rather than leaving things to chance, plan your lasting decor landscapes and close-ups. First of all, search out some local places that are unspoiled and natural, with few signs of human presence or activity. Check out your nearby parks, conservation areas, or wildlife refuges.

Scope it

Scout these prospective locations, looking for areas and things with appealing color, pools and ponds for reflections, running water for abstractions, etc. When you find something of interest move around it in a circle and note the various possible compositions. Be especially aware of those compositions that call for either a north- or south-facing camera position. (They’ll provide maximum side-light for modelling and texture, and polarizing for saturated color.) And while you’re at it, note whether the east and west sides of such subjects are open to admit either direct early morning or late afternoon sunlight for the warm, glowing light at these times.

A number of photo apps provide information as to when and where on the horizon the sun will rise or set in your area. Same for the full moon. Taking note of these things as well as what’s around you while scouting will help you foresee good photo opportunities well in advance.

Check it

Check the local weather maps for what’s upcoming in your area. Do it frequently. Remember, bad weather is good photo weather, especially during the clearing-up hours after a storm; it’s great for injecting mood into your images! By the way, online weather sources will also give you precise local sunrise and sunset times.

wall photo

“Twilight on the Jetty”captured by PictureSocial member Beth

For close-ups with dew, just keep in mind that a hot sultry day that ends with a cool and clearing evening usually guarantees heavy dew conditions the next morning.

Go for it

Start out well before sunrise and get on location early. Set up and shoot at first light, early light, etc. If you’re shooting a landscape that includes sky, be alert for clear strips of sky at the horizon with clouds immediately above them. This situation will often yield terrific cloud effects! Alternatively, start out well before sunset and be on-site to shoot through sundown and twilight. At either time it may be possible to shoot both landscapes and close-ups if circumstances allow.

Tools & Tips

By all means take your tripod. Also a cable release, perhaps a polarizer, or a neutral density grad filter. Use either a low ISO setting or else slow speed transparency film. And, perhaps most important of all, take along a resolve to go back to your favorite spots again and again. And again! When you know a place like the back of your hand, and you’re frequently there, you’ll be surprised at the photo ‘breaks’ that come your way!

Your personal ‘seeing’ and camera skills will undoubtedly improve as you persist at shooting both frequently and regularly. You should have no difficulty acquiring a considerable number of shots well suited for wall art.

Mounting & Display

Once you have on hand some images you feel will keep their appeal as wall decor in the long term, select one or two and make a 5 x 7 or a 8 x 10 print of it and tack it up somewhere that you’ll see it frequently. Give it a couple of weeks and see how well it keeps its appeal. If it passes the test then get a larger display print made, tastefully mounted and display it appropriately.

To assist you in these regards, why not turn to one of the many reliable guides available on the subject such as, for example:

  • Kodak Publication no. 0-22, Cat. 104 8479, PHOTO DECOR – A Guide to the Enjoyment of Photographic Art.
  • A Guide to the Enhancement & Presentation of Photographs, by Otha C. Spencer (Prentice-Hall, NJ 07632)

Such publications will provide numerous fine visual examples, as well as explanation of useful guidelines, tips, and techniques, and also offer helpful advice on many related topics such as print location, fading, lighting, etc.

abstract wall art

“Flamborough Dusk” captured by PictureSocial member Tony Taffinder

The presentation info in such publications, together with the above shooting guidelines, will put you well on your way toward appropriate, enduring, wall art with long-term appeal, instead of disappointing and depressing wall clutter.

About the Author:
John Maxymuik authored this article for those photographers who want large prints of their work for display, either in a residential or business setting, but they want the results to have enduring appeal, instead of soon turning into disappointing wall clutter. To see examples of photography suitable for wall display go to his fine art photography website at ambienceimages dot net.


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PictureCorrect.com: How the Glass is Made for Nikon DSLR Lenses

Ever wonder how they make the glass lenses for cameras? Androids. No, just kidding. But there is such a high level of detail that goes into making each lens that you may think a robot would have made it. Producing optical lenses is a highly technical process. Even the smallest error can create significant flaws in the lens. This short and visually stunning video lets you see the machines and people behind the production of Nikon’s optical lenses:

Though the machines do a great deal of work in creating the lens, you may be surprised to see how much of a role the workers play in the production. There seems to be multiple inspections throughout the process of creating each lens to make sure that every one is good enough to continue. Though I understand that the machines are necessary, it’s nice to see that the whole system isn’t automated, and that each one is being carefully examined by several Nikon employees.

making of camera lenses

Nikon lens glass being produced


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PictureCorrect.com: Interesting Photo of the Day: 37,000 Flags Planted in Boston Common for Memorial Day

Boston Magazine’s Associate Digital Editor, Yiqing Shao, was recently assigned to cover the Flag Garden in Boston Common, an annual event which takes place every Memorial Day weekend; one American Flag is “planted” into the lawn for every Massachusetts resident that has fallen at war dating from the Revolutionary War through present time. This year’s event displays 37,000 flags, which you can see in the image captured by Shao:

American Flag garden in Boston Common (Via Boston Magazine/Facebook. Click to see full size.)

The Massachusetts Military Heroes Fund organizes the memorial every year, gathering 500 volunteers to help place the flags. The last 205 flags were set in place during a special ceremony to honor the soldiers who have died since 9/11.


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PictureCorrect.com: How to Change a Camera Lens Quickly

How fast can you change a camera lens? In this short demonstration, Jasmine Star, an international wedding photographer, shows how she swaps out lenses on her Canon 5D in about six seconds:

A bag that’s easily accessed seems to be the key to Star’s quick technique. She uses an ONA Brooklyn Camera Satchel, which has top-loading compartments for her lenses. The side bag rests just at hip height, which proves to be convenient.

Star’s other secret is that she does not use lens caps during her wedding shoots. Not having to fiddle with caps frees up precious time that could otherwise mean missing essential moments during a ceremony or reception. Would it be worse to miss an important shot or to get dust on a lens?

change-a-lens-in-six-seconds

While many balk at the thought of not protecting their lenses, others acknowledge that professional gear can take some abuse and say that’s the whole point of spending a little extra on high-quality glass. And, according to Star, she’s worked this way for eight years without incident. She does make sure to have her camera sensor cleaned regularly, and she properly covers her lenses once the wedding is over.

Whether you master the technique of speedy lens changing or prefer to keep two camera bodies around your neck at all times, there’s no denying that weddings require nearly constant shooting. What do you do to avoid missing crucial wedding moments?


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PictureCorrect.com: Photography: Where to Start

So you have decided to have a go at photography? Good for you! Photography is a wonderful way to spend time, whether it is making money or a hobby. The problem a lot of poor souls have when they start is the bombardment of information about different cameras, memory cards, lighting equipment, the list goes on!

bird photography

“Untitled” captured by PictureSocial member Mariya Miteva-Simon

In truth, there is no right or wrong brand. There is a bit of good and bad, but at the end of the day I know many different photographers who swear by different brands, and they are all taking amazing images and making quite a bit of money. I also have my preferred brand of choice when it comes to cameras but this will be up to you to decide once you gain a bit of experience and feel what direction you want to go in.

Maybe a good place to start is deciding how serious you are about your newfound love. Try borrowing a camera from a friend first and give it a test drive or go to a camera hire shop. If after that you see a long future rolling in the hills with your new camera, then it’s time to get your own!

Choosing a Camera

Take a look at DSLR cameras that can range from a couple hundred bucks to thousands of dollars. DSLR stand for Digital Single Lens Reflex, and it is your best option moving forward, as you can change lenses to suit your style of shooting. For example, if you are into wildlife photography, you may want a nice long lens so you can stalk the animals from far. If you are shooting portraiture, you may want a nice prime lens to get that crisp sharpness. Diving into lenses is a whole new debate and would need a longer article, so lets get back to it, shall we?

You have now bought your camera and you’re staring at it like it’s going to tell you what to do next aren’t you? To keep it simple, let’s break it down into four simple areas that are the basics of taking great photos: aperture, shutter speed, ISO and composition. If you have the hang of these four, you are well on your way to getting it right.

Aperture

The aperture is the opening in the lens that lets light through onto your camera sensor or film. It is made up of a series of blades and is measured in F-Stops. The smaller the F-Stop number, the wider the opening that is letting in light. Now this may seem confusing and the wrong way round but you will get used to it. The F number can be as low as F1.4 and go up to f22 on most lenses.

Task: Take your camera, and if you have one with manual controls set it to Aperture Priority mode. It should be a setting with AV (aperture value) or just read your manual. Take a series of pictures, changing the aperture from its lowest setting to its highest to see what happens.

nature photography

“The Water Lily” captured by PictureSocial member Sangeeth Sivan

Did you notice something specific happening to your images? If you did not, take a picture of something a few feet away with the lowest aperture and again with the highest aperture. Still nothing? Well, take a look at the background. You will see when you shoot with a wider aperture such as f/4, your background will be blurred, but when you shoot the same photo at f/22 most of the image, including the background, is in focus. Oh, so thats how they do that!

Shutter Speed

The camera shutter is, well, basically a shutter that opens and closes letting the light pass through the lens and only hit the sensor for the amount of time you want it to. While you were shooting in aperture priority, you may well have noticed that the shutter speed changes proportionately to how you change the aperture. This is because when you change your aperture, you are changing the amount of light travelling through the lens and onto the camera sensor. If you have a wide open aperture, there will be a lot more light travelling through, so you will use a shorter shutter speed. The smaller the aperture opening like f/22, the longer you can leave the shutter open to let in that light.

Task: Set your camera to Shutter Priority (check your manual) and take a few photos at different settings. Notice how it changes the aperture to allow more or less light. Now find yourself a moving subject. Someone running or your dog playing. Take photos at different shutter values and see how it affects your image. The slower the shutter speed, the more blur you will have in your image. The faster your shutter, the less time for light to hit the sensor, the less blur you will have.

Now you may think, why not just always have a fast shutter, right? Wrong. It depends on the type of image you want to shoot. If you want to shoot at night you will need a long shutter speed to let in the little bit of light long enough to get a good exposure. Or maybe you want to take one of those silky water looking photos? Again you will need a longer shutter speed to allow the water to blur enough to create that effect. Ah!

landscape photography

“Kirkjufellfoss” captured by PictureSocial member Joop Versteegh

ISO

ISO is the third part of the three major elements you should learn, besides composition, in order to get good photos. ISO is the electrical charge that affects the sensor, creating the effect like in old film when you had different sensitivity ratings. The higher the ISO (old film ASA) the more sensitive and the lighter the image. The drawback to using the ISO to lighten up an image is that your image gets noisier with the higher the ISO. I personally try keep my ISO at 100 unless I just do not have enough light.

Task: Take a few photos of the same subject, changing your ISO each time, and see what happens. If you expose manually at, say, 100 ISO and then bump the ISO up to 3200, your picture will probably be blown out and too light or extremely noisy. Play around with it and see how it all changes.

When you’ve learned the three techniques above, you are well on your way to taking great photos. This gives you the freedom to concentrate on being creative and leaving the technical details as second nature.

Composition

Alright, you can now take well-exposed images, but they seem to lack that something special. That photo of your dog in the center of the screen just doesn’t look like the one from the magazine you paged through in the shop! It’s time to look into composition and the rule of thirds.

pet photography

“Untitled” captured by PictureSocial member Olga Filonova

The rule of thirds was created thousands of years ago by the Greeks, I think it was, and was a technical way of creating the perfect image. Look up the rule of thirds and you will see what you have been missing but the basic idea is to split your image into thirds horizontally and vertically and use the joining points to place your subject of interest, such as a person’s eye or the horizon. The rule of thirds is not a must and can be broken for creative purposes, but it is a good general rule to learn before you break it.

There are various other tips you can follow when it comes to composition, such as foreground interest. If you are shooting landscape images, it greatly helps an image if you have something in the foreground to lead your eye into the image. Do a search for ocean sunrise images in your favourite search engine and see what comes up. What you will notice with a lot of the ones you will find yourself drawn to is foreground interest such as rocks or a piece of driftwood that leads your eye into the image.

I am not going to go into lighting, memory cards, lenses, brands… the list goes on, and each deserves its own article. If this article is enjoyed and well received, I will write articles for each process as well as different types of photography. For now, take out your camera, stop reading, and go shoot! That is the best way to gain experience and find what style of photography suits you. Try as much as you can and don’t be afraid to ask people. The Internet is a big place, and there are wonderful people out there willing to help.

Seriously, you should be shooting right now!

About the Author:
Clinton Cunha (supremeicon.co.za) is a photographer based in South Africa. He also runs an icon design company.


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lauantai 28. toukokuuta 2016

PictureCorrect.com: Interesting Photo of the Day: Glow Sticks Dropped Down a Waterfall

There are no limitations when it comes to lighting a subject, or on what to light them with. Sean Lenz and Kristoffer Abildgaard dropped colorful high-powered Cyalume glow sticks into a waterfall and photographed it with a long exposure. The result is truly stunning:

A long exposure of glow sticks dropped into a waterfall.  (Via Imgur. Click to view full size.)

The duo photographed a series of waterfalls around Northern California, now part of a collection titled “Neon Luminance.” Lenz and Abildgaard would drop in individual glow sticks or string several together to create different patterns of light, with exposures lasting anywhere from 30 seconds to 7 minutes.

For those of you with the environment on your mind, the photographers say the glow sticks were left intact and fished out of the stream after every session.


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PictureCorrect.com: Renting vs. Buying Photography Gear

Photographers love their gear. And there’s never a shortage of new cameras, lenses, and lighting equipment to drool over. While it’s tempting to buy the latest and greatest, you shouldn’t overlook the benefits of using rental services. In this PhotoShelter webinar, Brian Tetrault from LensProToGo discusses the advantages of renting photography gear:

Why rent?

  • It’s more financially feasible when the gear is not something you’ll use often. For example, you may just need extra lighting for one particular photo shoot.
  • You can try out unique equipment that you wouldn’t necessarily buy, like high-quality underwater housing or an extremely wide angle lens.
  • It lets you try something new without committing to purchasing it. This way you can test out a new camera or lens to see if updating your current gear is worth it.
  • You can use rentals as backup gear for important gigs, such as weddings, for peace of mind.
  • If you don’t want to take valuable equipment on a plane, you can have rental gear shipped to your hotel. Rental helps you avoid travel-related hassles like lost luggage and extra baggage charges.
  • Rental protection plans might be better than your own insurance policy.
  • When you’re just starting out, it’s difficult to know which gear to buy. Renting lets you get a feel for what you might like to have.
  • Renting is a great option for instances when your gear is out for repair. Repairs may take weeks to complete, and having backup gear lets you keep working while you wait.
  • If you want your second shooter to have specific gear, you can rent it for them for professional shoots.
  • Eliminate buyer’s remorse. There’s so much hype around the latest gear, but without holding it in your hands and trying it out, it’s difficult to know if it lives up to its reputation. One you know you like a piece of gear, you can buy it and know you’re making the right choice.
renting-vs-buying-photography-gear

Depreciation Often Makes Renting Photography Gear a Smart Choice

Renting gear has many advantages that let you get your hands on the latest gear without making a monetary commitment. You might find that you don’t like it as much as you thought or that it’s cheaper to rent it on the rare occasions when you need it. Before purchasing the next item on your wish list, consider trying before you buy.


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