torstai 28. tammikuuta 2016

PictureCorrect.com: Using Pattern, Form, and Texture in Photography

If you want to add a new dynamic to your photography then try adding pattern, form and texture. They will add a new depth to your images and help you rise to a new level in your photography.

people in formation

photo by U.S. Army

1.Patterns

Patterns can be found everywhere—in nature and man-made constructions. They are made up of repeated objects, shapes, or colors and whether they’re random or ordered can be very pleasing to the eye. You can use patterns as the main subject of your photo with the focal point on the patterns. Or, you can use the patterns as a backdrop to something else.

logs as pattern

photo by iangbl

Sometimes the interest of a focal point is the break in a pattern. For example, a tray of eggs is great pattern of beige, uniform eggs in rows. Break one of the eggs in half and the yellow yolk will break the pattern and form a focal point. And of course remember the rule of thirds and the intersections, any break must be on an intersection.

Sometimes a pattern is not so obvious to the eye because of size. But starting looking at detail in your potential subjects by getting in closer and you see a world of patterns. A bright red fire engine may not seem to have patterns, but, get in closer to the grill or the weave of a hose and the world of patterns opens up. A keen observer will always find new patterns in old subjects.

2. Texture

While the structure of an object is its form, the material from which it is made constitutes its texture. To simplify it, the texture conveys how the subject feels. Is it hard or soft, smooth or rough? If you can convey these feelings then you are translating texture visually. Contrasting a smooth object and a rough one allows you to see texture. Again, getting in closer helps achieve this feeling as well.

sandy texture

photo by theilr

The angle of light falling on to the texture will lift it off the image and give it feeling. It’s best revealed by angled light coming more from the side, top, or rear. Front lighting will make it feel flat and uninteresting, although side lighting is the most popular way of revealing texture.

Shoot subjects like rope close up to reveal the fibrous detail by isolating it from the other elements in the scene. If you really want to emphasize the effect of texture, angle the light more. This is achieved by shooting early morning and late afternoon.

3. Form

Shape is very two dimensional, while form adds a third dimension because of the volume of an object. The eye is immediately drawn to form in an image and the art of creating this form is achieved by showing the contours of a subject—the human body as in a sumo wrestler, or the bold contours of round rocks on the seashore.

rock form with side lighting

photo by r. nial bradshaw

Good side lighting in early morning or late afternoon brings out the contoured form through shadow. Direct sunlight from above gives a very flat appearance to an image but when clouds pass over the sun form immediately rises and you have a perfect subject.

Here’s a tip when trying to convey form in an image. Don’t stand front-on parallel to your subject because all you tend to view is the shape without any form. Change your angle of view by moving around until shadow starts to reveal the form.

By learning to photograph texture, form, and pattern correctly and adding these to elements to your images you will find that a new dimension will be added to your bag of skills and your photos will improve dramatically.

About the Author:
Wayne Turner has been teaching photography for 25 years and has written three books on photography. He has produced 21 Steps to Perfect Photos, a program of learner-based training using outcomes based education.


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PictureCorrect.com: Street Photography: A Refreshing Approach

The fear of photographing strangers can be a powerful deterrent to pursuing a dream in street photography. To make matters worse a recent spate of videos shared on social media seems to reveal that it can be a nerve wrecking experience, especially when you irritate people you’re trying to photograph. It doesn’t really help when you have ‘street photography experts’ promoting the intrusive and often abusive approach to this style of photography. Thus when someone brings forth a casual relaxed approach to the whole thing, it warrants attention:

His current project is to photograph in and around the financial district, finding four strong photos over the course of a day and then assimilating those four photos to tell a vignette of a story. Andre Wagner is a street and documentary photographer based in New York.

street photography approach

Wagner’s approach to street photography is refreshingly casual and relaxed.

“Photography is crazy. It’s the only thing that takes reality and just pauses it. That’s it. Like that’s the moment and once that image is made it might not necessarily be about reality anymore.”

street photography relationships

people interacting street photography

“I am inserted in moments, I am interested in my feeling this jut reaction. But I am also interested in how I can make this person in the background that has no relationship with this person in the foreground, how can they interact with each other; and that’s the magic of photography because that’s how I said it kind of changes this, it’s not really about what’s happening, it’s about how things look.”

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PictureCorrect.com: 10 Frozen Macro Photos

Winter is a perfect season for photographers! Everything seems so peaceful, clean, and sharp. The light reflecting from the frozen nature around us gives us a great opportunity to capture some of the most amazing creations in the world. Here are some inspiring examples from photographers sharing the same willingness to suffer numb fingers and toes in pursuit of the perfect winter photo:

winter, leave, leaves, water, frozen

photo by slowhand7530

winter, blackberry, frozen, ice

photo by Julie Falk

winter, macro, woods, forrest, leave, leaves, snow

photo by Sheila Sund

winter, trees, snow, macro

photo by Erik Schepers

winter, macro

photo by Jack Skipworth

winter, macro,cold

photo by Lorenzoclick

nature, winter

photo by Alexander Boden

winter, macro, ice, art

photo by Lynne Hand

leave, winter, autumn, cold, macro

photo by Tatyana A.

mushrooms, ice, frozen, winter, macro

photo by Jason

If these got your attention, check out our tips for taking great winter photos. Get out your layers of clothes and grab your camera before you go outside in pursuit of your favorite winter photograph!


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PictureCorrect.com: How to Use the Dehaze Tool in Lightroom CC

Adobe’s Photoshop CC, along with its entire Photography package, is one of the most powerful tools available for amateur photographers. Terry White does a great job at explaining the new features found in Lightroom CC and Camera Raw, and the following video addresses one of these features, the Dehaze option:

Travel photos are the ones where dehazing is most often needed, since you don’t have any studio equipment or perfect conditions to help you take the best shots. Some of your photos might end up looking foggy. Here’s how to touch them up:

dehaze option adobe lightroom adobe photoshop

Notice how the sun makes the photo blurry and difficult to use.

How to Dehaze Photos with Lightroom

  1. Select the photo you want to dehaze and go to the Develop tab.
  2. Scroll down to the Effects panel and you’ll see a Dehaze slider. If you want to use haze as an effect for your photo, drag the slider to the left, but if you want to remove the fogginess drag it to the right. The higher the value, the clearer the photo will look.
  3. If you only want to dehaze a certain part of the photo, you can select the Adjustment brush and dehaze only the area you want to edit.
  4. If you want to use a lot of dehazing, open the image in Photoshop CC and go to Filter -> Camera Raw Filter. Use the Dehaze filter as many times as you want, so if you run the filter at 100 percent, applying the filter time and time again will get it 200 percent, 400 percent dehazed, or even more—as many times you want.
dehaze option adobe lightroom adobe photoshop

The end result looks much more clear and vivid.

So there you have it, the Dehaze feature in Adobe’s new products. What do you think of it? Is it useful for you?

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keskiviikko 27. tammikuuta 2016

PictureCorrect.com: Sunset Silhouette Photography

We previously discovered that the pretty colors in a sunset aren’t always enough. A winning sunset photo needs a star. In today’s lesson we’ll discuss adding silhouettes to get better photographs of the sun.

bicycle silhouette

photo by PREM KUMAR MARNI

In previous articles, we have mentioned that the star could be an interesting palm tree, a seagull flying by, or basically anything. The gorgeous colors are the backdrop to our star, not the focus of the photo. But, much like our regular non-sunset landscape photos, the most effective star is a person—people like looking at people! You will get the viewer more easily engaged in a photo where there are people being shown.

In a sunset photograph there’s two ways to add a person. In silhouette showing no detail and the traditional route that shows full detail. Today’s sunset photography photo tip will discuss adding a silhouetted person or other subject. The principles are valid no matter what your “star” is. Done well, the end result can be one of the most exquisite photographs you could create.

When adding a silhouette, the key element to keep in mind is that you are adding a shape, not a person (or bird or tree). Your shape will be pure black with no detail. In sunset photography, getting the pure black shape with no detail is pretty basic. In our earlier discussions, we learned that if we take our meter readings from the sky—everything else in our sunset photo is going to be underexposed and black. Ta-daaa!

photographers at sunset

photo by Rachel Titiriga

Previously, our concern was to bring detail into the dark areas, now we just let them go dark. To add a silhouette, the first step is to meter from the sky, not the person. If you meter from the person, your camera will make a mighty attempt at setting an exposure to show detail. In other words, you have to take the camera off automatic. Meter for the sky and then re-compose to put your “star” in the correct place in the photo. Easy.

The second concern we have in adding a silhouette is actually harder to get right. Remember, you’re adding a shape and everything but the sky is black with no detail. Including the ground. When you add your shape, it has to “read” correctly. By “read” I mean when someone looks at your photo, they must be able to instantly tell what it is. If your subject is standing in front of some other object, like a palm tree, rock or whatever, the silhouetted shapes will blend together and distort the image.

bird silhouette

photo by Manfred Moitzi

This idea is hard to put in words, but easy to understand. I’m sure you have seen photos where the silhouettes blended together and neither looks right. A person with a palm tree growing out of their head, a palm tree with a seagull’s wing sticking out of the trunk and so on. Be sure that there is nothing intersecting with your silhouetted shape, including the ground. I frequently see silhouettes where the top half of the model is in silhouette, but the bottom half is lost in the ground. You may have to shoot up at your star from a slightly lower vantage point to avoid this sort of blending.

The third factor to consider is the shape itself. Not only do you have to watch out for your silhouette not reading correctly because it blends with others, it can blend with itself too! Arms crossing in front of the body or hanging (with no gaps) along the sides, legs together and so on. To get an effective silhouette, the pose is vital, more so than in a normal photo of this person. The fact that she is a pretty girl doesn’t matter in this case. In a silhouette, no one is going to be able to tell what she looks like.

yoga silhouette

photo by Julian Garduno

Take photo examples from magazines and color them with a black magic marker. Would that pose “read” and be effective if that was all you could see of the person? Hats and other clothing could dramatically alter the shape and look weird in silhouette. It may look like a tiara in the wedding photos, but in silhouette, it looks like devil’s horns sticking out of her head. Study various poses for their shapes and find several you can use when you are creating silhouettes. Add them to your notebook so you will always have them at hand when the situation arises.

Silhouettes are not only effective in sunset photography, but also at weddings. For example, pose the couple in silhouette in front of a stained glass window. Or, at the door of the church with the light from outside silhouetting them.

Practice today’s landscape photography photo tip on how to get better sunset photography by including silhouettes. There are many times when a silhouette is just the thing you need to separate you from the crowd, its worth learning how to do them well.

About the Author:
Dan Eitreim writes for ontargetphototraining.com. He has been a professional photographer in Southern California for over 20 years. His philosophy is that learning photography is easy if you know a few tried and true strategies.


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PictureCorrect.com: What’s it Like to Work as a Freelance Photographer in New York City?

There are hundreds of photographers who move to New York, and few become super-famous. So what’s life really like for them? For someone who enjoys the simple artistry of photography, and who gets by with enough commercial work to pay the bills? One answer can be seen in this video, which profiles Sam Fan—a.k.a. SamAlive—who moved from his hometown of Taipei to NYC to make it work as a full-time freelancer:

Fan shoots all sorts of photos—as a natural traveler, he tends toward landscapes and interesting faces.

intimate portrait photos

“My favorite subject is portraits. I feel like the most difficult thing to capture is personality, and everyone has a different personality, so in order to capture a person’s personality, you must get to know the person first. That’s why I prefer shooting friends rather than strangers.”

beautiful symmetry lake landscape

Fan shoots primarily with a Canon 5D Mark III and a Canon 35mm f/1.4 lens—a lens he considers ideal for both portraits and landscapes. (He also admits to being lazy and only wanting to carry around a single lens.)

taiwanese american freelancer
instagram social media photos

But, as even he concedes, the type of gear you’re shooting with doesn’t matter nearly as much as having a keen aesthetic eye.

“I want to shoot more about life, being a life photographer, and in the future maybe have a wife, have children, and take pictures every day. Photography is just life. As long as I’m still alive, I’ll take a picture every day of my life.”


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PictureCorrect.com: Interesting Photo of the Day: Tokyo Street Scene

This photograph taken by Masashi Wakui of a rainy street scene in Tokyo is somewhat ethereal. While cityscapes shot from a distance tend to give a broad perspective and those shot from the air givesa birds-eye view, the real action is undoubtedly down at the street level:

low light street photography

A rainy night in Tokyo. (Via Imgur. Click image to see full size.)

Wakui seems to have captured that beautifully in this image of a rain-soaked evening in Tokyo.


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