Times Square in New York is any photographer’s bokeh heaven – the stoplights, billboards, street signs and headlights make for an interesting backdrop to any photo. Whether you’re shooting wide open or otherwise, Times Square will not disappoint. Jay P. Morgan explains in detail how to experiment with different lenses and distances from the subject and background to create various bokeh effects:
Some key principles to remember:
- Get close to the subject.
- Stay far away from the background.
- Keep aperture wide open.
- Pinpoint lights (e.g. light bulbs, stoplights) are better than light screens (e.g. fluorescents, billboards).
Not blurry enough
Better bokeh
Nicer when farther from wall
Stepping closer to the subect decreases depth of field
Effect is similar to the photo shot with the 50mm f/2.8 lens at 2.5 feet from subject; 13 feet from the wall
Head size increases but bokeh is really nice
As you can see, you can achieve similar bokeh effects with different lenses by studying where to position yourself relative to the subject and background. Having your subject shift a few feet forward or backward could make a huge difference in the shape, size and opacity of the out-of-focus lights in your background.
Billboards create unpredictable patterns and colors of light
The term “bokeh” comes from Japanese and means “blur” or “haze”.
Go to full article: Bokeh Lighting Techniques
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Article from: PictureCorrect
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