PictureCorrect.com: Manual Mode for Travel Photography (Without Slowing You Down)

Manual mode has a reputation for being slow, technical, and impractical for travel photography. When you’re moving through busy streets, hopping between locations, or reacting to fleeting moments, it can feel like there’s no time to think about shutter speed, aperture, and ISO.

The truth is the opposite: manual mode can actually make you faster—once you learn how to use it strategically.

This guide shows how to use manual mode on the road without missing moments, so you stay creative, consistent, and in control while traveling.

Related: Want to finally master manual mode in the new year? PictureCorrect Premium gives you weekly practice — and to start the New Year, the first 3 months are just $1

Why Manual Mode Makes Sense for Travel

Travel photography throws constant curveballs at your camera:

• Bright sun → shade → interiors
• Backlit scenes and silhouettes
• Night markets, city lights, and motion
• Snow, sand, water, and reflective surfaces

Auto modes react after the scene changes. Manual mode lets you anticipate conditions and lock in settings that work across a range of shots.

The result?

• Consistent exposures
• Faster shooting once set
• Fewer ruined images when light fools your camera

The Travel Photographer’s Manual Mode Mindset

The key is not adjusting settings for every single shot.

Instead, think in terms of shooting scenarios.

Ask yourself:

• Am I walking outdoors in steady daylight?
• Shooting indoors with window light?
• Photographing people moving through a scene?
• Capturing static landscapes?

Once you identify the scenario, you dial in settings that work for most shots in that environment—and then you shoot freely.

A Simple, Fast Manual Mode Setup

Use this as a starting point for most daytime travel situations:

• Aperture: f/8
  Sharp, flexible, and forgiving for streets, architecture, and landscapes.
• Shutter Speed: 1/250s
  Fast enough to freeze people, walking motion, and handheld shots.
• ISO: Adjust for light
  Start low (ISO 100–200) in bright light. Raise ISO as needed—modern cameras handle it well.

Once set, you can walk, shoot, and react without constantly checking your screen.

Use the Meter—Don’t Obey It

In manual mode, the exposure meter becomes a reference, not a rule.

• Bright scenes (snow, beaches, white buildings)? Let the meter sit slightly under.
• Dark scenes or night shots? Expect it to lean over.

The goal is predictable results, not perfect zero every time.

Pre-Set for Common Travel Scenarios

Here’s how to stay fast while staying manual:

Bright Outdoor Walking

• f/8
• 1/250s
• ISO 100–200

Streets + People

• f/5.6–f/8
• 1/320s or faster
• ISO as needed

Landscapes

• f/8–f/11
• 1/125s+
• ISO 100–400

Evening / Night Markets

• f/2.8–f/4
• 1/60s–1/125s
• ISO 1600–6400

Once you move into a new lighting environment, adjust one variable, not all three.

Let ISO Do the Heavy Lifting

If you want speed:

• Lock aperture for the look you want
• Lock shutter speed for motion control
• Adjust ISO as light changes

ISO is the fastest dial to turn—and the least disruptive to your creative intent.

This approach keeps manual mode quick and intuitive.

Don’t “Chimp” Every Shot

Constantly reviewing images slows you down and pulls you out of the moment.

Instead:

• Check exposure once when lighting changes
• Trust your settings
• Focus on timing, composition, and storytelling

Manual mode rewards confidence.

Manual Mode Is About Fewer Decisions, Not More

When done right, manual mode:

• Reduces surprise exposures
• Eliminates constant compensation
• Makes your results predictable
• Frees you to focus on what matters

You’re not fighting your camera—you’re leading it.

Final Thoughts

Manual mode doesn’t have to slow you down while traveling. With a scenario-based mindset, smart presets, and a willingness to trust your setup, it can actually make you faster and more consistent.

Travel photography is about moments, light, and stories—not menus and settings.

Once manual mode clicks, it becomes second nature—and your photos will show it.

Early Subscribers Are Already Ahead:

Every week, more photographers are joining PictureCorrect Premium to level up their craft — and with the New Year offer running, it’s the perfect moment to start. Inside, you’ll find expert-led tutorials, creative challenges, and printable exercises that make each lesson stick.

Whether you’re working to master manual mode, lighting, or composition, Premium gives you the structure to make steady progress. The special $1 intro offer is ending soon, and once it’s gone, so is your chance to lock in early access.

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PictureCorrect.com: Why Photographers Should Care About King Tides

Most photographers plan their shoots around light. Sunrise, sunset, golden hour, blue hour. But along the coast, there’s another variable that can matter just as much—sometimes more: the tide.

King tides are one of those natural events that quietly transform familiar places. A beach you’ve walked a hundred times can suddenly look dramatic, compressed, and unpredictable. For photographers, that kind of change is worth paying attention to.

Related: offer ending soon for the Photo Adventure Cheat Sheets New Year Sale

Photo captured by Johanneke Kroesbergen-Kamps

What Are King Tides?

King tides are the highest tides of the year. They occur when the gravitational pull of the moon and sun align in a way that amplifies tidal range—typically when the moon is both full or new and at its closest point to Earth (called perigee). When this alignment happens, high tides rise higher than normal, and low tides drop lower than usual.

They’re not storms, and they’re not caused by weather. King tides are predictable and show up on tide charts well in advance. In California, they usually occur a few times each winter and early spring, often coinciding with calm, clear mornings that are ideal for photography.

Why King Tides Change the Way the Coast Looks

At high tide, the ocean moves into places it doesn’t normally reach. Beaches narrow or disappear entirely. Waves crash directly against cliffs, rocks, and sea walls. Tide pools vanish, only to reappear later in different forms. Familiar foregrounds are submerged, and new ones emerge.

This compression of space dramatically changes composition. Where you might usually have wide expanses of sand, you suddenly have leading lines formed by water edges. Rocks that typically sit dry and quiet become wave-splashed focal points. Reflections appear on wet sand well beyond the usual shoreline.

The result is a coastline that feels more dynamic, more powerful, and often more dramatic—without traveling anywhere new.

Photo captured by Colin Hobson

King Tides Create Built-In Drama

Photographs tend to resonate when they show something unexpected. King tides provide that naturally. Viewers may not consciously know why an image feels different, but they sense the tension created by higher waterlines, stronger wave action, and tighter framing.

For seascape photographers, this means images with more energy. For landscape photographers, it’s an opportunity to show scale and motion. For those interested in storytelling, king tides hint at forces larger than the moment—cycles, change, and the constant reshaping of the coast.

Even minimal compositions benefit. A simple rock, pier, or stretch of coastline can feel entirely new when the waterline climbs higher than usual.

Timing Becomes Part of the Craft

Because king tides are predictable, they reward planning. Knowing when peak high tide occurs lets photographers scout locations ahead of time and anticipate how the scene will change minute by minute. Shooting just before or after peak tide often produces the most interesting transitions, when water is actively advancing or retreating.

This turns coastal photography into more than reacting to light. It becomes about timing, observation, and understanding how the environment behaves. In many ways, king tides are a reminder that photography isn’t just about settings—it’s about being in the right place at the right moment.

Photo captured by Alexander Van Steenberge

A Chance to Learn and Experiment

King tide conditions naturally encourage experimentation. Long exposures become more dramatic as waves surge higher and crash harder. Fast shutter speeds can freeze splashes in places you wouldn’t normally expect water to reach. Bracketing becomes useful as bright foam contrasts with dark rocks and shadows.

Because the scene is unfamiliar, photographers are often forced out of habitual compositions. That alone can lead to growth. When the coastline refuses to behave the way you expect, you’re pushed to see it differently.

Words of Caution: Safety Comes First

As visually exciting as king tides are, they demand respect. Higher tides mean less room to escape incoming waves, and water can reach areas that are usually safe. Slippery rocks, sneaker waves, and sudden surges are real risks.

Photographers should avoid turning their backs on the ocean, especially during peak tide. Tripods placed too close to the water can be knocked over without warning. Wet rocks that are normally dry may be far more slippery than expected. It’s also important to respect closures, warning signs, and local guidance—no photo is worth risking injury.

Planning an exit route is just as important as planning the shot. If the tide is coming in, always know where you’ll move next.

King Tides as a Storytelling Opportunity

Beyond aesthetics, king tides offer photographers a chance to document change. These tides are often used by scientists and coastal planners as previews of future sea-level conditions. Photographs taken during king tides can quietly illustrate how vulnerable certain coastlines, roads, and structures may be.

For photographers interested in environmental storytelling, this adds another layer of meaning. Images aren’t just beautiful—they’re informative. They show how landscapes respond when water pushes just a little higher than normal.

Photo captured by Ronan POTIER

Why Paying Attention Matters

King tides don’t require exotic locations or extreme weather. They reward awareness, planning, and curiosity. Photographers who pay attention to tides gain access to scenes most people never see, even at familiar locations.

In coastal photography, light may set the mood—but the tide sets the stage. And during king tides, that stage changes dramatically.

For photographers willing to learn its timing and respect its power, king tides offer some of the most compelling coastal moments of the year.

For Further Training:

For help remembering the camera settings for difficult situations like this, a set of Photography Adventure Cheat Sheets are designed to help. They are currently 80% off to start the New Year which ends soon if you want to check them out.

New! Cheat Sheets for Your Photography Adventures (see how they work)

The perfect companion for any photographer. Print one out whenever you need it. Whether you’re going on vacation or seeking out a specific photography adventure, these cheat sheets can provide you with the knowledge and inspiration you need to create your best work yet.

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PictureCorrect.com: 10 Ways to Improve Your Photography This Year

Reading books, attending workshops, and browsing the Internet are all good things that can help you take better photos. The following tips will improve the way you create amazing photos and how you see photography.

Related: Want to accelerate your photography in the new year? PictureCorrect Premium gives you weekly practice — and to start the New Year, the first 3 months are just $1

Photo by Mark S; ISO 100, f/20.0, 10s, 24mm.

1. Know your camera.

Your camera has lots of features that most photographers—including yourself—never use. You might not even know they exist or what they’re for. Aperture, shutter speed, and focus are fundamental and very important, but there are many more features that can help you be a better photographer and spend less time retouching and fixing your average photos. There are functions like multiple exposure, timelapse, mirror lock-up, and metering, just to name a few. Take your time to learn about them and get creative. Creativity will change your photography. Do you know where your camera’s manual is? Time to take it out, go through it, experiment with each function, and learn what you can create. You’ll be amazed.

2. Turn off the light.

Literally follow this instruction. Go into any room in your house and turn off the light, grab your camera, and let’s see how much you’ve actually learned about it. Sit down and change the shutter speed, aperture, ISO, focus mode, etc. If you can actually do this, it’s because you really followed the first tip and you know your camera well enough.

3. Enter photography contests.

This is a fun activity and a great way to learn. Look for contests that will actually provide critique and feedback. There are many contests out there that decide on the winner by how many friends you convinced to vote for your photo. But there are also some great photo contests—just spend some time looking for them.

Photo by Laya Clode; ISO 500, f/5.6, 1/80s, 55mm.

4. Choose your best images and have friends rate them.

Print your 25 best images and place them on a flat surface. Ask each of your friends to order them from their favorite to their least favorite. When they’re finished, ask them why they placed them in that order. You might be shocked at some of the comments and how people that are not into photography view things. Their comments will help you understand some concepts that will guide you to improve.

5. Critique other photographers’ work.

Choose a couple of pictures that you like from sites like Flickr and 500px. When you’re done, compare them, analyze them, and critique them. See what you like the most and why. Look closely and see what the photos have in common. Look at the metadata and find out how they were shot and which settings were used. Think about why the photographers used those settings and what would have happened if the settings were different.

6. Join a photo club and go out with your photo buddies.

Photography is lots of fun when you can share the experience with others. Look for local photographers or a local photo club and plan outings. Going out with several photographers allows you to experiment with other cameras and lenses, learn new techniques, and practice. It’s fun and a great way to learn.

Photo by Drew Gilliam; ISO 12800, f/4, 1/100s, 35mm.

7. Learn a new photo technique at least every week

There are many different techniques out there, and nowadays it is very simple to find them and to learn from them. If you’re very visual, look for instructional videos online; they will guide you step by step. After you learn about a new skill or technique, go out and take a couple of shots using it. Practice makes perfect!

8. Shoot night photography.

Shooting at night is probably the best way to learn photography. Automatic does not work. You have to learn how to balance ISO, aperture, and shutter speed. You are forced to use a tripod, and by doing so, you learn how to use it properly and reinforce proper shooting techniques. You will also learn how to focus on the light. In the end, you will be rewarded with amazing images.

Photo by Mesut Kaya; ISO 100, f/22, 30s, 16mm.

9. Learn as much as you can.

Research, ask, practice—and most important—cover a wide range of topics and learn about different styles of photography. After you’ve done that, you’ll probably know which style you prefer. Dig deeper, learn, and specialize; there is a lot to learn. When you become really good at one style, sit down, relax, and decide what’s next. Start learning a different style, it will be a completely new experience, and you’ll love it.

10. Show off your work.

There is no better feeling than someone commenting on your image and liking it. There are many ways in which you can show off your work. Post it online. For example, on SmugMug you can have your own mini-website. Enlarge and print a couple of your images and hang them at home or at the office. Build a photo page of your work on Facebook. There are many options, and at the end you will feel proud of your photography and motivated to do better.

Enjoy shooting and creating GREAT images!!

About the Author:
This article was written by Joaquin Duenas. X: D_digitalworld. The Duenitas Digital World is based in Miami, Florida and covers South Florida, the Caribbean, Mexico and Central America.

Make Progress in the New Year:

Every week, more photographers are joining PictureCorrect Premium to level up their craft — and with the New Year offer running, it’s the perfect moment to start. Inside, you’ll find expert-led tutorials, creative challenges, and printable exercises that make each lesson stick.

Whether you’re working to master manual mode, lighting, or composition, Premium gives you the structure to make steady progress. The special $1 intro offer is ending soon, and once it’s gone, so is your chance to lock in early access.

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PictureCorrect.com: The Secret to Sharper Photos Without Overprocessing

Topaz Labs recently released its Realism Update for their photo editors, alongside a holiday sale currently running on their photo tools. While promotions come and go, this update itself is notable because it tackles one of the biggest concerns photographers have had with AI enhancement: images that look overly smooth, artificial, or “plastic.”

Rather than pushing stronger sharpening or more aggressive detail generation, the Realism Update is clearly aimed at producing results that feel more natural and photographically realistic—especially important for portraits, wildlife, and detailed still images.

Moving Beyond the “Plastic” AI Look

AI-powered photo tools have improved rapidly, but realism hasn’t always kept pace. Skin textures can turn waxy, fur and feathers can lose subtle detail, and sharpening can quickly cross the line from crisp to artificial.

This update shifts the focus toward preserving original textures and reconstructing detail in a way that respects how real photographs should look. For photographers who value subtlety over spectacle, that’s a meaningful change.

New Sharpen Models for Wildlife and Portraits

One of the most practical updates for photographers is the new generation of Sharpen models designed specifically to avoid overprocessing.

These models are better at preserving:

• Fur, feathers, whiskers, and scales in wildlife images
• Natural facial detail in portraits
• Clean edges without halos or crunchy textures

Instead of treating every subject the same, the models aim to adapt sharpening behavior to the content of the photo, keeping images sharp without introducing that brittle, AI-enhanced appearance.

Bloom Realism: Rebuilding Fine Detail Naturally

The new Bloom Realism model focuses on reconstructing fine details that often suffer during enhancement, particularly in portraits.

It’s designed to improve:

• Skin texture without heavy smoothing
• Hair detail without clumping or sharpening artifacts
• Eyes and facial features without an overprocessed look

Rather than simply sharpening what’s already there, Bloom Realism attempts to rebuild detail in a more photographically believable way—useful for both real-world photos and AI-generated imagery that needs a more natural finish.

Improved Upscaling for Low-Resolution Photos

The updated Standard MAX upscaling model is aimed at photographers working with smaller or older image files. It performs especially well when enlarging low-resolution images while maintaining natural textures.

Key benefits include:

• More realistic detail generation
• Cleaner results without harsh artifacts
• Better texture handling compared to older upscaling approaches

This makes it a practical option for restoring older photos, preparing images for larger prints, or working with heavily cropped files.

Why This Update Matters for Photographers

What stands out most about the Realism Update is its restraint. Instead of chasing maximum sharpness or exaggerated detail, Topaz Labs appears to be refining how AI enhancement integrates into a traditional photographic workflow.

For photographers who’ve been hesitant to rely on AI tools because of unrealistic results, this update represents a more thoughtful balance between enhancement and authenticity.

With the holiday sale currently underway, it’s also a timely moment for photographers who’ve been on the fence to explore these updates—whether that’s refining portraits, improving wildlife images, or restoring lower-resolution photos—without committing to an overly aggressive editing style.

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PictureCorrect.com: 365 Photo a Day Challenge

I like to think of myself as an avid photographer, but there are times when the creativity wanes and the inspiration dries up. The trigger finger stiffens from lack of use and generally, I start to suffer from photographer’s malaise. This is when auto-pilot needs to kick in and get me up and running again. How do I switch on the autopilot? With the 365 Photo Challenge–a photo a day for a whole year.

Related: Want to finally master manual mode in the new year? PictureCorrect Premium gives you weekly practice — and to start the New Year, the first 3 months are just $1

Photo by Luigi Estuye; ISO 400, f/4.0, 1/200s, 42mm.

A photo a day keeps the staleness away. Staleness and boredom with a hobby like photography is a killer. Before you know it, you’re advertising your gear on eBay. I have found a simple way to keep the pot boiling on the stove. All my students know this one. It is simple, and it’s most certainly not time-consuming.

There are two ways to approach this:

1. The simple photo a day challenge. By this I mean that you allocate yourself a few minutes a day to shoot one image that you like or even dislike, for that matter. Just shoot an image at some point during your day. Carrying your camera with you every day would help. Whatever you do, make sure that you take one photo every day. Even if it is the clock on the wall before you go to bed. Of course, it would help if you make your subjects different each day.
2. The best photo of the day challenge. This is a variation of the challenge and gives you more leeway, meaning that you shoot as many images as you want but that at the end of the day you will select the best one, the one with most meaning or just a random choice if they are all good.

Photo by Fauzan Ardhi; ISO 50, 1/160s.

In order to make this interesting, you can add a touch of variety by choosing a theme or using a common thread. I know of a photographer who took a small beach ball with him wherever he went, and this ball featured somewhere in every photograph. Choose something and add it as a common thread to all 365 days.

With social photography outlets like Instagram, 500px, Flickr, and more you can really make this interesting and even generate regular interest in your images. Change your Facebook profile every day replacing it with your daily 365 Challenge shot. People will eagerly log in every day to see what photo you have loaded. Not only will this make you more enthusiastic but it will generate an interest in your images. The same goes for your blog. Upload a daily image and makes some comments on it. This way you can keep a record of the how, when, why and who of each image. This could actually turn into a form of photo journal in which you document your life over 365 days.

Photo by Evan Sanders; ISO 3200, f/2.8, 1/50-second exposure

This could be the beginning of a really fun experience. The bottom line is that you will keep your creativity, inspiration, and enthusiasm alive while at the same time learning and entertaining others. If you can find a way to make your photography fun and inspiring, it will never die. You will continually shoot photos throughout the year.

One more tip before we go. It’s great to sit down and write down ideas and thoughts about what you will do, what themes to shoot, and how you will display the images. But unless you get out there and just do it you will get nowhere. If you will run with the idea I can guarantee you that in 365 days’ time, you won’t believe the improvement and progress you’ve made as you learn photography.

Photo by Jehane; ISO 64, f/3.7, 1/85-second exposure

What the 365 photos show you is just how you have improved. They become your timeline of growth in creativity and skill.

About the Author:
Wayne Turner has been teaching photography for 25 years and has written three books on photography. He has produced 21 Steps to Perfect Photos, a program of learner-based training using outcomes based education.

Make Progress in the New Year:

Every week, more photographers are joining PictureCorrect Premium to level up their craft — and with the New Year offer running, it’s the perfect moment to start. Inside, you’ll find expert-led tutorials, creative challenges, and printable exercises that make each lesson stick.

Whether you’re working to master manual mode, lighting, or composition, Premium gives you the structure to make steady progress. The special $1 intro offer is ending soon, and once it’s gone, so is your chance to lock in early access.

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PictureCorrect.com: Discussion: What is Your New Year’s Resolution for Photography?

The beginning of a new year is truly a good time to set some goals for what you want to accomplish. Start off 2026 right! What is your New Year’s Resolution for Photography? We started this discussion on Facebook, it’s always great to make friends who are working towards the same goals.

Share & compare yours here: New Year’s Photography Discussion

Related: Want to accelerate your photography in the new year? PictureCorrect Premium gives you weekly practice — and to start the New Year, the first 3 months are just $1

What is Your New Year’s Resolution for Photography? (Click to Join the Discussion)

Find the discussion here: What is Your New Year’s Resolution for Photography?

Start the Year Right:

Every week, more photographers are joining PictureCorrect Premium to level up their craft — and with the New Year offer running, it’s the perfect moment to start. Inside, you’ll find expert-led tutorials, creative challenges, and printable exercises that make each lesson stick.

Whether you’re working to master manual mode, lighting, or composition, Premium gives you the structure to make steady progress. The special $1 intro offer is ending soon, and once it’s gone, so is your chance to lock in early access.

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PictureCorrect.com: Is It Ever OK to “Reserve” a Tripod Spot? Photographers Are Divided

Few things create more tension among photographers than a prime tripod spot at the right moment.

Whether it’s a solar eclipse, fireworks show, sunrise over a famous landmark, or a rare natural phenomenon, these moments attract crowds — and with them, unspoken rules about space, timing, and respect. Unfortunately, those rules aren’t always followed.

This post isn’t about calling anyone out. It’s about setting expectations, reducing frustration, and helping photographers share limited space without ruining the experience for others.

Reminder: only 1 day left for the Fireworks Photo Guide New Year’s Eve Sale

The Reality of High-Demand Photo Moments

When a popular event is about to happen, three things are almost guaranteed:

• Space is limited
• Emotions are high
• Everyone believes their shot matters

Add tripods into the mix, and small decisions can quickly turn into big frustrations.

Common scenarios include:

• Tripods placed hours in advance with no photographer in sight
• Late arrivals setting up directly in front of others
• Gear slowly expanding into neighboring space
• Arguments over who “was there first”

Most of these issues come down to one thing: unclear etiquette.

The Big Question: Can You “Reserve” a Tripod Spot?

Short answer: sometimes — but with limits.

Placing a tripod to mark a spot can be reasonable only if you stay nearby and return promptly. A tripod left unattended for long periods, especially in crowded public spaces, crosses from courtesy into entitlement.

A good rule of thumb:

• If you wouldn’t feel comfortable explaining it face-to-face, it probably isn’t okay.

A tripod is not a lawn chair at a parade — and even those come with social expectations.

Arriving Late: The Blocking Problem

Another common source of tension happens when photographers arrive late and try to squeeze in.

This often looks like:

• Setting up directly in front of seated or kneeling photographers
• Raising a tripod higher than everyone else’s
• Slowly edging forward “just a little” at a time

Even if the view looks open, someone behind you may already be framed and focused. Blocking another photographer’s composition — intentionally or not — can instantly sour the mood.

If you arrive late:

• Look for gaps, not front-row takeovers
• Ask before setting up near others
• Accept that the best spots may already be taken

Sometimes the right move is shooting handheld, adjusting your angle, or simply enjoying the moment.

Space Creep: The Silent Offense

Tripods tend to grow.

A bag here, a second camera there, legs slowly widening — before long, one photographer occupies the space of three. In tight locations, this “space creep” is one of the most common — and least acknowledged — problems.

Be mindful of:

• How wide your tripod legs are
• Where your bag is placed
• Whether others still have room to adjust

Small awareness goes a long way.

Courtesy Goes Further Than Rules

There’s no official handbook for tripod etiquette, but a few simple behaviors make a huge difference:

• Communicate — a quick “Mind if I set up here?” prevents most issues
• Stay present — don’t reserve space and disappear
• Be flexible — the shot isn’t worth ruining someone else’s experience
• Remember the crowd — photographers are part of the audience, not separate from it

Ironically, the photographers who show the most courtesy often end up with better shots — fewer distractions, better cooperation, and a calmer environment.

When You’re the One Being Blocked

Even with good etiquette, problems still happen.

If someone blocks your shot:

• Speak up early, politely, and clearly
• Assume ignorance before malice
• Avoid public confrontations when possible

Most photographers don’t want to be “that person.” Often, they simply didn’t notice.

The Bottom Line

Great photos don’t just come from good light and timing — they come from good behavior.

In crowded moments, tripod etiquette matters as much as camera settings. Respecting space, staying aware of others, and being willing to adapt helps everyone walk away with better images — and fewer regrets.

Because no photograph is improved by an argument behind the camera.

For Further Training on Fireworks Photography:

Fireworks photography is indeed one of the most daunting types of photography. This in-depth tutorial eBook explains the process from start to finish, everything from gear and camera settings to composition and post-processing to achieve great results with fireworks of any kind. It is currently 55% off to help photographers prepare for the New Year’s Eve fireworks shows!

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A common result of photographers new to fireworks photography is capturing nothing but bright white spots instead of colorful bursts. But with the guidance of this eBook in hand, you should be fully prepared to photograph brilliant fireworks displays.

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