maanantai 17. helmikuuta 2025

PictureCorrect.com: Lighthouse Photography Tips

Lighthouses are a favorite subject for photographers, because they are romantic. However, some realities can make creating an excellent lighthouse photo challenging.

This article will provide you with some valuable insight into improving your lighthouse pictures, and we will discuss these skill points:

  • Composition with a limited point of view
  • Spotting problems: crooked horizon, trash cans
  • Balancing exposure between the sky and foreground
  • Creating sharp photos in a windy environment
  • Preparing for variable light conditions and weather

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“Lighthouses are not just stone, brick, metal and glass. There’s a human story at every lighthouse; that’s the story I want to tell.” ― Elinor DeWire

Elinore DeWire is an American author that specializes in writing about lighthouses, and her quote is good advice for us photographers.

Photo by Pixabay

If you want to create romantic imagery of lighthouses, think about the human connection.

Showcase the sense of isolation and consider the impact a lighthouse would have upon a lonely sailor coming home.

Camera POV—Point of View

Some lighthouses are short and stout. However, the vast majority of lighthouses are tall and imposing structures.

Pro Tip: The height of the structure will play a critical role in helping you select your POV and lens. If the horizon line is visible, make sure that it is straight and not angled one way or the other.

Tall lighthouses are large and imposing structures. If you get close to the tower, you will likely be limited to a POV that looks upward with a wide-angle lens or a moderate telephoto for close-ups.

examples of bottom-up lighthouse POV

Clockwise from top left: Photos by Daniel Reyes, Louis Reed, Louis Renaudineau and Eric Muhr

While there is nothing wrong with the upward view, it doesn’t lend itself to a romantic lighthouse picture. But by all means, take a few of these shots as well—if you have access.

Critical Point: The romantic POV for a lighthouse will often come from some distance away, rather than close to the site itself. A lighthouse will usually be placed out upon a point of land, and there can be other points of land to either side of it. Look to these areas on either side for a camera position that can include the lighthouse’s surrounding environment, which will create a romantic visual story. A lighthouse is often best captured from an elevated point of view with the water stretching out behind it.

Access to lighthouses can range from complete access, where you can go inside and climb the stairs to the prism, to limited access where you might not even be allowed on the grounds.

Pro Tip: If you live near your subject lighthouse, you can visit it many times and explore different points of view and access moments. If you’re on vacation, and your opportunity is a one-shot deal, it will be worth your time to do some research online. You want to know the access limitations, weather conditions and sunrise and sunset times during your visit.

Top photos by Kent DuFault; bottom by Mike

Equipment:

  • Camera: Any camera, including a smartphone camera
  • Lens: Any lens, but typically, you want a moderate wide-angle to medium telephoto
  • Lens Hood: Highly suggested to prevent lens flare
  • Filters: Graduated ND and/or a polarizing filter can be convenient and helpful
  • Tripod: Best to get one with a sturdy head and a wired or wireless remote shutter release, if you want to give some long-exposure shots a try or plan to shoot in low light
  • Flashlight: A great tool if you arrive or leave in the dark, especially if you are walking along cliffs
  • App software: Photo Pills (this software, while optional, locates the sunrise and sunset on a map and can help you determine the best shooting location before you arrive)
  • Notepad: Take notes and be sure to record location metadata on your camera
how to take great lighthouse photos

Photo by Keith Luke

Think About This:

Romanticizing a lighthouse picture means adding drama. There are several ways to do this. Including a ship in the background is fabulous addition if you’re lucky enough to see one. You can also include working personnel like the lighthouse keeper, as I did in a previous example photo. Explore all the possibilities.

golden hour lighthouse

Photo by Kent DuFault

I visited this lighthouse at sunset. The lighting was perfect. However, I wasn’t lucky enough to catch a vessel going in or out of the harbor. Then a couple walked past me and out toward the structure. It was the perfect human element that I needed to create my romanticized lighthouse story.

We’ve all heard the virtues of photographing during the golden hour. With romantic lighthouse photography, the time of day plays a critical role.

how time of day affects lighthouse photos

From left: photos by Adam Bixby, James Peacock and Cam Bradford

In the example photos above, the leftmost picture was taken under midday light. The scene is quite extraordinary. However, it lacks romantic drama due to the lighting.

The center photo represents what you might expect around sunrise or sunset, while the rightmost picture results from shooting the lighthouse after sunset in the twilight hour.

Pro Tips!

  • Avoid shooting during midday light. If that’s the only opportunity to photograph, consider using some glass filters on your lens. (More on that in a minute.)
  • Sunrise and sunset are great options for light. Arrive early. You want to set up and be ready when the magic happens. Bring a flashlight so you can see in the dark. A headlamp also works well.
  • Sunrise and sunset can be great for capturing your lighthouse in silhouette. Make sure you select a point of view that places the lighthouse structure against the bright sky.

Post-sunset is a superb time for romantic lighthouse photography. The best shots will occur when there is still some light left in the sky—up to 45 minutes after the sun drops below the horizon.

romantic lighthouse lighting

Photo by Everaldo Coelho

Gear Hack!

Let’s say you don’t have an option but to visit your lighthouse subject at midday. This scenario is one of those moments where a colored glass filter on the lens can save the day. You can also accomplish a color wash in post-production.

Pro Tip: If you’re going with a color filter on the lens, keep it light in hue and density. Colors that work well are pink, violet, blue and very light shades of red.

how to color wash lighthouse photos

Original photo by Atharva Tulsi; editing by Kent DuFault

The original photo was taken in midday light. It lacked any sense of romance in the lighting.

You can add a color wash to your lighthouse image in Photoshop using the layer style option in the layers palette. Make sure you duplicate the background layer and then highlight it before clicking on layer styles. You cannot use layer styles on the background layer.

You can also add a color wash to a bland lighthouse picture in Lightroom.

lightroom editing lighthouses

Color wash

Pro Tip: When creating a color wash in post-production, using a minimalist approach is often more appealing than going with deep shades of color.

In Lightroom, the tools you will use to create a romantic hue of color are curves, color, and the color mixer or HSL (depending upon your version of Lightroom).

Beware of fakes!

Be careful with your post-production!

In this lighthouse picture, the sun was behind the photographer and to the right of the camera. You can tell by the shadows on the buildings.

how to spot a fake photo

Photo by Pixabay

There must have been a bland sky, and the photographer decided to drop in a sunset.

The problem is that the lighting doesn’t match up—backlighting and front lighting in the same picture?

It is obviously fake.

Become a student of light, and don’t create fake lighting!

Let’s cover a few final critical features to creating romantic lighthouse photos.

bad weather means good lighthouse photo

Photo by Cayetano Gil

The weather is a definite dramatic factor in lighthouse photography.

In fact, the worse the weather is, the better.

After all, the very function of the lighthouse is to guide when inclement weather prevents visual contact.

Your chances of the lighthouse lamp being turned on are much higher!

Pro Tip: Inclement weather often brings the wind. You must stabilize your camera, especially if you will try and capture some long exposures (such as in the example photo above.) Having an excellent steady tripod with a decent sized head is crucial. Look for a vantage point that is protected from the wind. Bring some sandbags and bungee tie them to hang down from the tripod between the three legs. There are commercially available sandbags for photography purposes, or you can make your own.

how to take dramatic lighthouse photos

Photo by George Desipris

If a pleasing and storytelling environment surrounds your lighthouse, take some shots that include it.

These are the four lenses that I carry for my lighthouse photography.

  • Canon EF 16-35mm f/2.8L III USM
  • Canon EF 24-70mm f/2.8L II USM
  • Canon EF 70-200mm f/2.8L IS III USM
  • Canon EF 300mm f/4L IS USM

If your POV is distant, try to include some meaningful foreground objects to add depth perception.

add foreground elements to photos

Photo by Mitch McKee

Pro Tip: Keep your eyes sharpened and look for garbage cans, cars, power lines or any object that can interfere with your photo’s romanticized intent.

If you’re down near the water, look for tidepools to catch a reflection for added impact.

great lighthouse photo tips

Photo by Pixabay

In Conclusion

  • Lighthouses can be tall or short and stout; choose your POV accordingly
  • An elevated POV often best portrays the romantic aspect of a lighthouse
  • Keep your horizon line straight
  • Access can be limited, and you may find your best camera angle from some distance away from the tower
  • When possible, include a human element
  • You can create dramatic and romantic lighthouse images with any camera—more equipment just gives you more options
  • Be aware of the environment—bring a flashlight and watch your footing
  • It’s best to shoot a lighthouse at sunrise or sunset; dusk can also create dramatic effects, especially if the lighthouse lamp is on
  • You could add color with glass filters or post-production techniques if the lighting is lackluster
  • Don’t create a fake-looking picture!
  • Inclement weather is your friend
  • Include the surrounding landscape if it romanticizes the story of your image
  • Including foreground objects adds depth perception
  • Reflections can add a neat effect if you’re near the water
awesome lighthouse photo

Photo by Joshua Hibbert

Now You Should Give It a Try!

Pick your subject lighthouse.

Do pre-location research online. Try to determine the best time of day and angle. Depending upon the location, plan to shoot at sunrise or sunset.

Use the following camera settings:

  • Manual mode or aperture priority mode
  • Drive mode to single shot
  • Mount the camera to a tripod and use a remote shutter release
  • Start at ISO 200 (adjust as necessary)
  • Maintain a shutter speed of 1/15th or faster for wide-angle lenses, and 1/60th or faster for longer telephoto lenses
  • Use all the focusing points
  • Set the metering mode to matrix/evaluative/pattern
  • Use single shot focus mode
  • Set the white balance to auto
  • Shoot in camera raw (additional .jpeg optional)
  • Adjust aperture from f/2.8 to f/11 depending upon the depth of field
  • Use a foreground object if possible

How did you do?

  • Did you correctly place the focus for the intended depth of field window?
  • Is the lighthouse sharp and free of camera shake?
  • Did you compose the image using the sample pictures for ideas?
  • Is your image free of unwanted humanmade objects (garbage cans, etc.)?
  • Did you frame the shot tight enough or wide enough?
  • Does your photo convey the romance of the location?
  • Is the color pleasing? (It doesn’t need to be accurate)
  • Is your exposure balanced between the sky and foreground?
  • Did you experiment with motion blur in the water while keeping the lighthouse sharp?

About the Author:
Kent DuFault is an author and photographer with over 35 years of experience. He’s currently the director of content at the online photography school, Photzy.com

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sunnuntai 16. helmikuuta 2025

PictureCorrect.com: Long Exposure Photography Calculation Trick

Long Exposures look great but can be a little tricky to get the correct exposure. Sure there are Apps and charts to help out, but, what if there was an easier way?

A way that doesn’t require an App, doesn’t require a chart and most importantly doesn’t require taking your filters off to calculate the exposure length.

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coast long exposure

The easy way to perfectly calculate the exposure time for your long exposures every time!

Let’s get into it.

  1. Frame up your shot
  2. Place the filters you wish to use into your filter holder and onto the camera, ready to shoot
  3. Set your ISO to 6400
  4. Test shoot at ISO 6400 until you have the perfect Histogram
  5. Once you have the perfect histogram, take note of the exposure length.
  6. Set your camera back to ISO 100
  7. And now how many seconds exposure at ISO 6400 now equal minutes at ISO 100

Basically, with all your filters in place and your camera set to ISO 6400, if the perfect exposure was 1 second, once you switch back to ISO 100 your perfect Exposure will be 1 minute.

2.5 secs = 2.5 minutes
10 secs = 10 minutes

Once you have the perfect exposure at ISO 6400, you have the perfect exposure at ISO 100.

ISO 6400 Seconds = ISO 100 Minutes

Why? Basically, it comes down to ratios.

60 seconds in 1 minute = 64 ISO 100s in ISO 6400 – roughly the same ratio’s.

I guarantee this technique works perfectly in constant light. Go out at midday with your 10 stop filter and try out the ISO 6400 technique. I bet it works every time!

Just make sure you remember to switch back to ISO 100 before taking the Long Exposure!

Oh and remember to calculate the ISO 6400 seconds with your filters in place.

long exposure rocks

Long Exposure Tips

  • Make sure when you are shooting LE’s that you cover up your rear viewfinder, a little light can sneak in there and ruin your Long Exposures.
  • LE’s can be really tricky when the light is rapidly changing, like Sunset/Sunrise. My rule of thumb here is if you are shooting LE’s as the light is changing, you need to 1/2 your exposure time as the light is increasing at Sunrise and Double it as the light fades at Sunset.
  • Use Bulb Mode to shoot LE’s longer than 30 seconds

Below is a video on the same technique.

The most likely time to damage or break your neutral density filters is taking them on and off your camera. Rather than take your filters off to calculate your exposure time, leave them on and use this simple super fast technique.

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torstai 13. helmikuuta 2025

PictureCorrect.com: 7 Tips for Taking Great Travel Pictures

Relevant reminder: only a 1 day left for the Travel Photography Guide at 90% Off

Taking great pictures of your vacation can be easy if you have a few basic photography skills. In this article, you will find seven travel photography tips that will help you take fantastic pictures that you’ll enjoy for years to come.

take better travel pictures

Photo by Arian Zwegers; ISO 100, f/11.0, 1/125-second exposure.

1. Add Drama to Your Pictures

By adding drama to your pictures, you make them more interesting and visually appealing. If you want to add drama to your pictures, one way is to show scale. You can do this by adding people or natural features to your photographs of big things like monuments, landscapes, or the world’s biggest Redwood.

easy travel photography ideas

Photo by jpellgen; ISO 200, f/10.0, 1/400-second exposure.

2. Clean up the Clutter

When you’re seeing exciting new things, it’s easy to ignore the background. But before you hit the shutter release button, look at what you’re really photographing. In some cases, moving a few feet could eliminate unwanted clutter like power lines, billboards, or people walking through your picture.

travel photography made simple

Photo by inefekt69; ISO 4000, f/1.8, 1/125-second exposure.

3. Photograph the Locals

No matter where you are traveling in the world, learn how to say some basic things like, “May I please take your picture?” in the local language. Offer to send those you photograph a copy; make sure to have a small notebook or pencil to jot down names, addresses, or emails.

travel photo techniques

Photo by Alberto Lama Photography; ISO 200, f/2.8, 1/3200-second exposure.

4. Look for Unique and Candid Photos

Candid shots when traveling are the best, but occasional portraits of the family in front of spectacular views and famous landmarks are part of almost every vacation album. Don’t forget to get in the vacation pictures too by using the self timer or remote shutter.

techniques for better travel photography

Photo by sandeepachetan.com travel photography; ISO 100, f/4.5, 1/500-second exposure.

Always take pictures of things that interest you instead of taking pictures of things “you have to take”—like those shown on postcards in the gift store. You can always pick up some postcards to add to your vacation souvenirs. Unique subjects make great travel pictures, so look out for these opportunities.

methods for better travel photos

Photo by Theophilos Papadopoulos; ISO 200, f/7.1, 1/100-second exposure.

5. Remember That Every Photo Has a Story

You may want to tell your vacation story by using your photographs from the time you departed to your return home, so make sure to capture these moments, too. Include highlights like your campground neighbors, an unusual meal you had, activities, the look on a family member’s face when he or she saw something for the first time. Once you get home and look at all of the pictures, select those pictures that best reflect your trip and frame them on your wall to remember.

ways to make your travel photos pop

Photo by Rosanetur; ISO 200, f/5.6, 1/1000-second exposure.

6. Get the Kids in on the Act

If you are traveling with children, give each child a camera and encourage them to take pictures, too.

how to capture your vacation in photographs

Photo by Modes Rodríguez; ISO 200, f/1.4, 1/1100-second exposure.

Then when you return home you can create a fun photo album to remember your vacation. While on your vacation, make sure to make notes so you can later add captions to your photos.

7. Be Aware of Camera Logistics

If you’re going to be near or in the ocean, bring a waterproof camera. Watch out for salt water and sand as they can wreak havoc on your camera.

Remember that not every picture will turn out well; even the seasoned photographer take bad pictures from time to time. The best solution is to bring extra memory cards and have a way to upload your photos each day while you’re away.

And don’t forget to prepare your camera for the next day by recharging the batteries and replacing the memory card. By doing this, you’ll be ready to go in the morning!

As you can see, taking great travel and vacation pictures can be a lot of fun and relatively easy just by following these seven tips. By the time you return home you will have a lot of fantastic pictures to share with your friends and family.

About the Author:
Autumn Lockwood is a writer for Your Picture Frames (www.yourpictureframes.com) and loves taking pictures. Your Picture Frames makes it easy for you to find just the perfect frame for your photo or artwork.

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keskiviikko 12. helmikuuta 2025

PictureCorrect.com: How to Highlight Texture in Photos: Best Lighting and Times

As a photographer, one of your most compelling tools is the ability to harness light to reveal the intricate textures within your subjects. Whether you’re capturing the delicate veins of a leaf, the worn grains of a wooden table, or the rugged roughness of a rocky landscape, the right lighting can make these textures pop, adding depth and dimension to your photos.

This blog post will delve into the best times and lighting conditions to accentuate textures in photography. Also remember the Winter Sale is wrapping up soon on the popular Photo Composition Cheat Sheets.

texture photographer

1. The Golden Hour

The golden hour, known as the first hour after sunrise or the last hour before sunset, is arguably one of the best times to photograph textures. The sun’s angle during this period produces a soft, warm light that glazes the subject, highlighting the textures with a blend of light and shadow. The longer shadows cast during the golden hour can bring out the depth and details of the textures you’re trying to capture.

2. Overcast Days

Although seemingly counterintuitive, overcast and cloudy days can provide excellent lighting conditions for texture photography. The cloud cover acts like a giant softbox, evenly dispersing the light and reducing harsh shadows. This diffused light can bring out subtle textures that might otherwise be lost under the stark contrasts of a bright sun.

3. The Blue Hour

The blue hour, which occurs just before sunrise and just after sunset, offers another window for capturing remarkable textures. During this time, the light is cool and soft, creating a serene atmosphere that can emphasize the textures of your subjects, especially if they have a cold color palette. Although the light during the blue hour can be quite dim, you can use this to your advantage to capture softer, more nuanced textures.

texture lighting

4. Side Lighting

Regardless of the time of day, the direction of your light source plays a crucial role in accentuating textures. Side lighting, in particular, is ideal for texture photography. When light strikes your subject from the side, it creates shadows that define and enhance the texture, making it appear more pronounced. You can create side lighting artificially with a single light source, or naturally with the sun during early morning or late afternoon.

5. Artificial Light

When natural light isn’t an option, artificial light can help to accentuate texture. Directional artificial light, such as that from a flashlight or a single studio light, can be used to create side lighting and shadow effects. Try adjusting the angle and intensity of the light source to see how it affects the appearance of the texture.

6. Utilizing Backlighting

Backlighting involves having the light source behind the subject, which can create a rim of light that outlines the subject and emphasizes texture. This technique works best with translucent or semi-translucent subjects, like leaves or slices of fruit, where the backlight can shine through to reveal intricate internal textures.

The Role of Texture in Photographic Composition

Texture plays a pivotal role in the overall composition of a photograph, and understanding how to incorporate it effectively can take your images to the next level. Just like line, shape, and color, texture is one of the essential elements of composition. It can be used to create contrast, providing a counterpoint to smooth areas within a shot or highlighting the similarities or differences between subjects.

Texture can also be used to guide the viewer’s eye, with coarse textures attracting more attention than smooth ones. In addition, texture can impart a sense of depth, making a two-dimensional image appear three-dimensional. This sense of depth can make your photos more immersive, inviting the viewer to ‘touch’ the surfaces with their eyes. Ultimately, texture adds richness and detail to photographs, creating a tangible quality that engages the viewer on a deeper level.

Remember, photography is a creative pursuit, and these guidelines are not set in stone. Experiment with different lighting conditions, times, and techniques to discover what works best for your unique style and the particular textures you’re capturing.

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maanantai 10. helmikuuta 2025

PictureCorrect.com: Aperty Advanced Portrait Photography Editor

To celebrate the season, the makers of the popular Aperty photo editor are offering it at 50% off today in case you are working on any portrait editing.

aperty

Aperty Portrait Editor (see how it works)

Key Features of Aperty

Aperty distinguishes itself with a range of features designed to enhance the editing process:

  • Retouching Automation: Streamlines the editing workflow by reducing the number of actions needed to achieve professional-quality results.
  • Time-Saving Technology: Utilizes advanced algorithms to perform tasks more quickly than traditional editors, without compromising quality.
  • Batch Editing: Allows for consistent changes across multiple photos, simplifying the process of editing large collections.

Simplifying Photo Editing

Traditional photo editing often involves numerous manual adjustments and complex steps. Aperty simplifies this process with intuitive actions, including:

  • Blemish Removal
  • Frequency Separation
  • Skin Tone Adjustment
  • Makeup Application
  • Final Touches

Efficiency and Resource Optimization

Aperty enables users to handle large volumes of tasks simultaneously, reducing processing time and effort. Batch processes can be scheduled during off-peak hours to optimize system performance. Repetitive tasks are automated, ensuring consistent and flawless results.

aperty portrait editor

A quick path to perfect portraits (see how it works)

Comprehensive Retouching Tools

Aperty provides a complete toolkit for portrait retouching, including:

  • Supercontrast
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  • Structure
  • Color
  • Black & White

One-click presets such as Cinelight, Embergow, Filmtone, Sunkissed, and Ambered offer professional-quality filters and adjustments for instant improvements.

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Developed in collaboration with professional photographers, Aperty leverages advanced AI technology to deliver tailored enhancements for each photo. The user-centric interface is designed to be intuitive and easy to navigate, reducing the complexity of advanced photo editing.

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sunnuntai 9. helmikuuta 2025

PictureCorrect.com: Photographing Landmarks: Find Your Angle

How many times have you taken the perfect shot of that famous building or monument that you couldn’t wait to show to your family or friends or submit to a stock agency, only to slowly realize that it’s just one of thousands of similar perfect shots of that particular icon? My answer would be, “More times that I care to count.”

venice blue hour

photo by Zoltán Vörös

This is the catch to shooting popular subjects. It stands to reason that as a professional photographer you look to shoot subjects that are marketable. World renowned tourist destinations are always going to be written about and advertised; therefore, images of these places are always going to be in demand. The thing is, everyone else knows this too and is out there shooting away.

The same reasoning applies to photographers of all levels. Imagine showing off your brilliant shot of you and your friends in front of Big Ben, only to have someone else pull out their shot of themselves in the same place two years earlier.

big ben tilt-shift

photo by Chris Combe

Whether you’re a professional shooting on assignment or for stock, or you’re on holiday and want to capture the moment for your own pleasure, the purpose of an image is to tell a story. The question then becomes, “How do I make my images stand out from the crowd?”

The difference needs to begin with the way you think about the shot. What is the story you’re trying to tell? Is it the relationship of the great statue with its surroundings? Or are you more interested with the lines and textures on the statue itself? What is the feeling you want to evoke in people who see your image?

A particular place might take on different characteristics during the course of a day. From warm light at a quiet sunrise to people swarming around during their lunch breaks to tourists lining up for tickets in the middle of the day to a cool blue dusk as the day ends and street lights begin to switch on.

An image taken during one of these times will look and feel completely different than an image taken at the other end of the day. It’s worth doing some research on the place you’re visiting to find out what the most suitable time is to go. Maybe summer? Autumn? During daylight or moonlight? There’s a reason professional photographers spend days or weeks at a location. Walking around it, watching people go by, noting the angles that the light hits the subject at certain times of day. They want to capture its many moods and personalities to illustrate their particular point.

louve abstract photography

photo by Dustin Gaffke

If you don’t have this luxury, however, a quick internet search can provide a wealth of information, from possible vantage points to the busiest and quietest times of day. For the average traveler with the intentions of capturing memories of their big trip, this can be the difference between getting the shot that illustrates your experience and wishing you’d had another hour to hang around.

statue of liberty silhouette

photo by jqpubliq

Irrespective of your level of photography, with a little effort spent in research and planning and a thoughtful approach to creating images, it’s possible for anyone to take that one shot that stands out as special in a sea of just good ones. Just think outside the box.

About the Author
Mark Eden is a freelance travel photographer and writer, and the founder and director of ExpansePhotography, a photographic services company offering fine art, limited edition prints as well as stock and assignment photography and publishing services.

For Further Training on Travel Photography:

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lauantai 8. helmikuuta 2025

PictureCorrect.com: UPDATE: Gigapixel 8.2 Image Upscaler

In photo editing news, Topaz Labs just announced the release of Gigapixel Version 8.2. Which now has batch Cloud Rendering, faster speeds on Mac, improvements to the Redefine model, and more. Keep reading to see what’s new.

gigapixel photo

Gigapixel Version 8.2 (see how it works)

What’s New in Gigapixel:

  • Upscale by Longest Side: A new option lets you upscale images based on their longest side. Simply select multiple images to unlock this highly requested feature—now available in Gigapixel!
  • Enhanced Cloud Rendering with Redefine: Experience significantly improved results when rendering without a prompt. The updated cloud rendering system ensures smoother image generation with fewer artifacts, delivering high creativity outputs.
  • Batch Cloud Rendering: No more sending images one by one to the cloud! This update introduces batch processing, allowing you to render multiple images simultaneously for a streamlined workflow.
  • Redefine Model Optimizations on Mac: The Redefine model now performs up to 2x faster on Mac, with improved consistency for text prompts. Note: Users on MacOS 13 or earlier will need to upgrade to MacOS 14 or 15 to access this improved model.

Print any image, bigger and better. Perfect for large-format prints where every pixel counts.

See how it works: Gigapixel 8.2 Image Upscaler

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Photography, like any art or skill, thrives on consistency. The journey to becoming an adept photographer is paved with regular practice. Learn how PictureCorrect Insiders can help.

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This post UPDATE: Gigapixel 8.2 Image Upscaler appeared on PictureCorrect.



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