PictureCorrect.com: Huge Photography Creative Kit Deal for Mac Users

A photo creativity bundle unlike any other has been assembled this week. 700+ Editing tools, presets & filters. 40+ Photo guides, e-books, videos. 12 Powerful photo editing software. 1200+ Textures, presets, sample RAW files. $1871 In total savings. 30 amazing product contributors. Ending soon here: The Photography Creative Kit XXL

Creative Kit XXL Offer (Click to Learn More)

Learn from the leading photographers and educators, discover their tips & tricks, stories behind their photos and secrets of their most successful photo works.

6 Best-Selling Photo Applications for Mac

Over 500 robust tools, presets and photo filters. Run as a plug-in or a standalone software. Plus a multiple license that can be used on up to 5 different Macs.

• Intensify: Powerful color photo editor to add structure, clarity & details. Over 100 tools and one click presets to create intense, dramatic masterpieces even from ordinary photos.
• Tonality: The most advanced black & white photo editor for Mac. Authentic film emulation, grain, layers with blending modes and more robust tools for monochrome post processing.
• Snapheal: Fast, simple, powerful object removal & image healing software. 9 erasing modes for the best results. Powerful clone & stamp, plus flawless spot healing on portraits.
• Focus: Professional lens effects, blur and tilt-shift effects. Custom presets for different types of photos, including portraits, landscapes, macro. Face recognition, smart vignette and more.
• FX Photo Studio: Amazing collection of 170 creative filters and photo effects. Analog, sketch, cross-process, oil painting, vintage, and more. Tweak and tune filters, or apply them only to a part of your image.
• Noiseless: Smart, simple, pixel-perfect noise reduction software. Special presets for instant denoise, special algorithm for noise reduction on RAW files and mobile photos.

Best-selling photo applications for Mac

40+ eBooks, Guides, and Courses

Learn from the leading photographers and educators, discover their tips & tricks, stories behind their photos and secrets of their most successful photo works.

• Behind the Image Video by Ted Gore: USA Landscape Photographer of the Year for 2015 gives you the story behind one of his best images, thoughts on the composition, color theory, capture & more.
• The Posing Guides: Comprehensive booklet about the key principles to a great pose. This invaluable resource will guide photographers to recognise common posturing mistakes & fix them.
• The Lighting Guide: 52 page guide will show you how to see and understand different qualities of light in diverse situations and how to work with them to create beautiful images.
• Landscape Photography Through Africa: Africa with Athena, join international award-winning landscape photographer Athena Carey as she shows you South Africa through her eyes, in this exclusive, travelogue-style video.
• Fashion Photography Workshop with Frank Doorhof: Follow Dutch fashion photographer, and highly acclaimed instructor Frank Doorhof as he teaches an intense 2 day workshop in Boston USA as if you were there.
• Tutorial eBooks by PhotoLesa: A collection of 14 great e-books by image wrangler, Lesa Snider, that cover everything from photo editing to earning revenue from the photo stock sites.
• HD Video guides for Mac users by The MacU: Learn OS X El Capitan, Photos for Mac, iCloud, Mac Security and Intensify from HD video guides by The MacU.
• The Essentials of Street Photography: 141 page guide by James Maher will teach street photography. Plus, 96 page book of interviews with 6 talented street photographers.
• Video Classes by Lesa Snider: Learn post processing in a better and faster way.
• The Complete Photography Bundle by Mikko Lagerstedt: Learn Star Photography and create Fine Art looks by applying Lightroom and Camera Raw Presets and Photoshop Actions by fine art photographer Mikko Lagerstedt.
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• HDR with luminosity masks by Howard Snyder: Photoshop tutorial video that shows a way to overcome the limitations of cameras while record high dynamic range scenes.

Included Photography eBooks, Guides, and Courses (Click to See More)

• Post Processing Recipes by Michael Breitung: Seven videos that show a set of creative techniques, which can be used to bring landscape and cityscape photos to the next level.
• eBooks bundle by Nature Photo Guides: 3 eBooks: Forever Light (Iceland), Desert Paradise (Death Valley), Beyond the Grand Landscape: A Guide to Photographing Nature’s Smaller Scenes.
• Shoot to Share Course by Justin Novak: The training covers 6 distinct shooting situations including studio portraits, low light portraits, pet portraits, long exposure seascape, city skyline and outdoor portraits.
• Creative Kit Walkthrough by Justin Novak: Video training by Justin Novak brings you everything you need to make amazing photos. Justin shows each step of his process of crafting pro quality images.
• Light in Motion guide by the Photographer’s Element: Learn the ins and outs of backlight. From knowing what backlight looks like to creating the images you want.
• Wildflower photography eBooks with Examples: This eBook is a complete guide to photographing wildflowers and how to post-process your images in Adobe Photoshop.
• EasyDSLR Blue Membership Course by Ken Schultz: Discover how to take amazing pictures with your DSLR camera with the EasyDSLR Digital Photography Course.

1200+ Photo Editing Presets, Textures & RAW Samples

• Fire & Sparks by DIY Photography: 122 files of flames, fire and sparks totaling in 866MB. High resolution 36 Mega pixels JPG files. Made against a black backdrop.
• City Series – London by DIY Photography: 30 backplates of London, 80 megapixels each 5.8 GB / 8-bit TIFF files. Perfect focal point and composition for composing.
• Complete lightroom presets bundle by Contrastly: The complete lightroom presets bundle includes over 1,000 premium Lightroom presets. That’s every single presets offered in the Contrastly store totalling 28 preset packs.
• Travel Lightroom Presets: Dozens of universal presets for your travel photography. From basic enhancements to mysterious darkened looks and intense detail boosting.

Photo editing presets, textures and more

• RAW sample files from Dmitry Sytnik: RAW photos taken in different parts of the world from the pro photographer Dmitry Sytnik. Great for the post-processing practice, if you don’t have your own RAWs.
• Creative Photography Textures: A pack of textures to use in Tonality CK and for all your creative needs to add a new look to every photo.
• 20 Lightroom presets created by Piet Van den Eynde.

More Mac Software for Photographers

Watermark & resize your photos in no time, create “tiny planet” photos, fun collages and create unique compositions with flame paint. Or even create hilarious talking animations.

• Circular Studio: The most powerful “tiny planet” app for the Mac. Circular Studio is a new twist on photo editing. Turn your photos into amazing circular images.
• Crazy Talk 7 Standard by Reallusion: The world’s most popular facial animation software that uses voice and text to vividly animate facial images.
• Flame Painter 3 Pro by Escape Motions: A unique paint application that lets you easily create original artworks, light effects, or beautiful backgrounds with flame brushes.
• Resize Sense: Eliminate the hours of tedious work needed to resize, crop, straighten, rotate, flip, edit metadata, and rename many images one at a time.
• Picture Collage Maker: An easy and quick collage maker to turn your digital photos into awesome photo collages with limitless creativity.
• Watermark Sense: A flexible batch image watermarking utility. Easily protect your intellectual property, promote your brand, or add some useful information to photos.

Watermark & resize your photos in no time, create “tiny planet” photos and more

Photo Service Discounts

Save even more on great photography gear, education, photo printing, keyboard covers, mugs, posters and much more.

• Skillshare: 3 months of the learning community.
• CanvasPop: $30 towards canvas prints.
• Peak Design equipment offer and more.

How to Get Everything in This Bundle Before it Ends:

This entire photography software, eBook, training and preset bundle (and more)—valued at over $2000—is available at 93% off for a limited time. It also carries a 30 day guarantee, if you are not satisfied with any part of it just let them know and they will give you a full refund so there is no risk in trying it.

Deal found here: The Photography Creative Kit XXL

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PictureCorrect.com: How to Create a Beauty Style Portrait With Just One Light

Sometimes, less really is more. That’s the philosophy behind this simple beauty shoot, hosted by Miguel Quiles, which features just a single light and some remarkable results. Here’s how he does it:

Quiles breaks down his shoot into every possible detail. His gear, for example, is simple; he’s shooting with a Sony A7RII mirrorless camera and a Zeiss Batis 85mm lens.

The single light is a Phottix Indra 500—ideal for its lightweight body and impressive strength. Quiles adds one large softbox directly behind himself, and a small reflector on a table in front of the model to light up her eyes and create some fill lighting.

Lighting Setup

That’s all you really need—with a good camera, one light, one reflector and one softbox, it makes for a relatively minimal studio setup. The trick is in how you set up the studio (keep the model near the backdrop to avoid shadows, and shoot from about three feet away) and how you handle the model herself—Quiles suggests you keep the model moving between flashes to create a natural sense of flow, and also keep her looking directly into the center of the lens.

Take as many shots as you need, and the results should turn out as nicely as in any magazine.

For help with post-processing: Topaz Clean for Beauty Portraits

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PictureCorrect.com: Tips for Zoo Photography

I often take animal portraits at my local zoo. For photographers, zoos provide a consistent way to get close to a variety of animals without the time and expense of travel to exotic locations. Here are some tips I have learned from several years practicing zoo photography.

Primates are often a wonderful source for expressive portraits.

Camera Gear for Zoo Photography

The gear I consistently bring with me on every visit to the zoo with my DSLR camera is my 300mm zoom lens and my 50mm prime lens. During the colder, dramatically less crowded months (I live in Chicago) I occasionally bring my tripod; however, I found a beanbag that attaches to my camera to be easier to use in cramped conditions. I can squish the beanbag against railings or fencing for a firm, steady support. A lens cloth is also indispensable. A spare battery is good insurance. My camera model holds two SD cards, which I find are plenty for my time there. As you discover your favorite animals and style for shooting you will learn what specific items work best for you.

If you’re planning to photograph smaller critters such as small reptiles or if the exhibit has a glass viewing area you may also want to bring some sort of shield for your lens. There are rubber shields that fit like a filter on the end of your lens which will allow you to put it up against the glass to eliminate reflections.

A rubber shield on my 50mm prime lens allowed me to get up close and personal to this tortoise and avoided reflections on the glass.

Don’t forget that the shield will cause you to lose a bit of light; you may need to adjust your exposure to accommodate.

Find Good Lighting

Pay attention to your light direction and try to move to give the best exposure for your subject(s). I tend to spend much of my time at the lowland gorilla exhibit at my local zoo. This particular area allows viewing 360 degrees around the enclosure. I now understand on which side of the exhibit to position myself to allow the best exposure due to the light direction. Even if the gorillas are active on the opposite side, I have learned it is better for me to wait for them to move to my side rather than be disappointed with un-editable shadowing due to poorly lit, dark animals. I need to use a very low aperture with available light, since most indoor exhibits prohibit using flash. The low aperture will also help minimize backgrounds. I use the fastest shutter and a high ISO to freeze the action. I will also shoot in RAW. The larger file allows me to crop to a smaller portion of the picture and still be acceptable.

Close Up

Look for Eye Contact

Watch the animal’s eyes and be ready to hit your shutter quickly to have eye contact with your viewer! More often than not the animals will simply scan over the visitor viewing area occasionally rather than stare at any individual person. For clear shots maintain a fast shutter with burst mode and be ready for that split second when your subject looks toward you. When you see its eyes start sweeping your way, start shooting! A long lens will give you the ability to see when an animal’s eyes appear to be staring right into your camera.

Eye Contact

Be Patient

Be prepared to wait quite a while before picture worthy behaviors occur. Just as in the wild you will need patience and a bit of extrapolation to catch the action or expression of a nice shot. Please be considerate, however, and do not hog a large area of prime viewing space. Keep elbows in and tripods close. Stand firm while waiting, as you may be jostled on crowded days.

Most people appreciate a little thoughtfulness. If I’m at a window viewing area with my long lens propped against the glass, there’s enough room to allow a shorter child or two to stand in front of me without disturbing my camera position. Sometimes my camera will actually attract other people to come see what I’m photographing, but I have noticed most zoo visitors only spend a few minutes at any given exhibit before moving on.

When I arrived at this snow leopards area, he was sleeping. I waited for him to wake up and as he yawned I was able to capture what appears to be a fierce expression.

Prevent Condensation

If you move into a different temperature environment take care to protect your camera and lens from condensation. Going from cold outside air to a warm building housing tropical climates will cause your lens to fog. I like to keep a lens cap in place for at least five minutes after entering to allow the camera time to warm up. I keep a lens pen and a lens cloth handy, as well. If the outside air is bitterly cold, I tuck my camera into my coat as I walk to the tropical buildings to help keep it warm and reduce condensation.

Get to Know Zoo Staff

Try to get to know zoo personnel and other regular photographers as they may be generous with inside information about best times for photographing specific animals. I have discovered a whole little sub-culture of regular zoo photographers who are friendly resources of information, anything from advice for camera settings to gossip about the zoo animals.

Eliminate Distractions

When editing your images, don’t be afraid to crop close to reduce or eliminate fencing, zoo visitors, or other distracting factors. I often choose to convert the image to black and white to avoid distracting colors from things like painted zoo enclosure backgrounds.

Black & White Conversion

If your favorite animals are napping or not on display, you might want to try getting shots of zookeepers or volunteers as they do their jobs in the zoo. If you’re a regular visitor, you may want to consider getting small inexpensive prints of your best shots and giving them to the respective zoo personnel next time you see them.

About the Author:
Sue Lindell is an amateur photographer who credits joining a local camera club for learning how to practice with a purpose and discovering her passion for photography. Further examples of her work can be found at http://ift.tt/16DSpPs.

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PictureCorrect.com: Interesting Photo of the Day: The Dolphins of Na Pali Coast

Karma is real. Photographer Christopher Howard, whose colorful images bring out a vivaciousness in whatever he shoots, captured this image of a dolphin swimming along the Na Pali coast along the northern coast of Kauai more than a year ago:

(Via Imgur. Click for larger image.)

When the photo was reposted online in February 2016, it naturally garnered praise, awe, and criticism for being Photoshopped. Finally in the social media spotlight, Howard got to set the record straight:

“This is my photo and I assure you it is very real :) I’ve tried to share this and others here on Reddit but never gained much momentum. I worked for Na Pali Catamaran on the Na Pali coast and always had my GoPro on board. Lots more can be seen on my Instagram @HIDrivePhoto. The photo taken .5 seconds after this one won GoPro’s photo of the day contest last October and won Islands Magazine’s annual photo contest. It was a lucky shot for sure, right place, right time. Thanks for sharing!”

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PictureCorrect.com: Fun with the Adobe Photoshop Fan Cam

Adobe has been employing an interesting tactic to showcase their photo editing products—Photoshop in particular. During recent NBA games of the Golden State Warriors, Adobe has been morphing images of the fans present and giving those images a completely new look. The edits are shown live on the giant screen:

This is done during some of the time-outs. Adobe calls this the Adobe Photoshop Fan Cam.

A fan reacts after seeing his photo morphed live on the giant screen

Another image edited live during one of the time-outs

Adobe’s imaginative promotional campaign for Photoshop is sure to bring a few extra smiles on fans’ faces and secure them a lot of promotional mileage, too.

For training on photo manipulation: 34 Premium Photoshop Tutorials

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PictureCorrect.com: Timelapse Showing Seasonal Change in Melbourne Australia

From March 2013 to February 2016, a hobbyist timelapse photographer named Alexander Chin documented Melbourne, Australia’s most iconic locations and landmarks as they appeared in spring, summer, fall, and winter. Chin then combined all of the images together into a dreamy “chronolapse” video called The Four Seasons of Melbourne:

Chin shot the images with his Nikon D90 and D610 and purposefully selected symmetrical locations—such as the Royal Exhibition Building—where he could mark the exact placement of his tripod and line his images up with relative ease in post.

Despite his meticulous planning, Chin still hit several roadblocks as he worked. Shooting in the same locations many different times over the course of 10 months thoroughly tested his patience and dedication to the project, while shifting soil made it difficult to ensure that his tripod was positioned in the exact same location for every image.

During editing, Chin realized that, because he had used two different cameras to shoot the photos, he would have to spend extra time aligning the landmarks properly.

And finally, there was Melbourne’s fickle weather itself.

“For those who don’t know, Melbourne is known to experience all weathers in one day,” Chin wrote in his blog post about the project. “Luckily, Melbourne [still] really showed off the extremes of each season… This video has given me a lot of inspiration to try more of these seasonal timelapses and day/night timelapses.”

For Further Training on Timelapse Photography:

There is a COMPLETE guide (146 pages) to shooting, processing and rendering time-lapses using a dslr camera. Newly updated for 2016, we were able to arrange 20% off which ends soon, simply remember to use the discount code picturecorrect at checkout.

Deal found here: The Timelapse Photography Guide

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PictureCorrect.com: Landscape Photography Tips Checklist

This article is a review of landscape photography tips and techniques I’ve covered before. Have you wondered why I’m going over previously covered ground? There are several reasons.

“Sand Lines” captured by Steve Ward

First, I wanted to have all these landscape photography tips and techniques listed together so you can more easily make a checklist. I hope you’ve done that. In the excitement of the moment, it’s easy to forget important and rather obvious techniques.

Second, it’s good to review from time to time, because statistically, only about 15 percent (or fewer) of you will read any particular article I write. So actually, this is new material for 85% of you.

Third, I keep repeating the important points, because there is a story about a preacher. He wasn’t a dynamic speaker, but he did OK. One Sunday, he did a fire and brimstone sermon that got a lot of favorable comments from the parishioners as they left the church.

The next Sunday, he used exactly the same sermon. Word for word! This drew some quizzical looks, but no one mentioned it to him.

The next Sunday he did the same sermon–word for word–again! And the next, and the next!

Finally, thinking he was losing his mind, someone asked him if he was aware that he was doing the same sermon over and over. He said that he was well aware of what he was doing, and he intended to keep doing the same sermon until his parishioners started following the advice.

How can I dispute that? Enough said. Here are today’s landscape photography tips:

Time of Day

“The Hoodoos Sunrise” captured by Ivan Pena

Light–with a portrait, we have total control. We can adjust the light levels, we can place our light where we want it, we can use modifiers, like umbrellas, scrims, diffusion materials, gobos and so on. We can do pretty much anything we want to get the image our mind has conjured up.

With landscape and cityscape photography, we are pretty much stuck with what nature provides us. There’s not much we can do. Or is there? With some planning, we can almost guarantee a stunning shot.

In an outdoor, landscape setting, there isn’t much we can do to modify or adjust the light, but we can become hyper aware of what light does at various times of day and in various weather conditions.

First and foremost, to be successful as a landscape or cityscape photographer, you have to have a desire to lose sleep. If you want to start capturing those dramatic landscape photos with all the stunning colors, there’s really only two times of day to shoot: dawn and dusk.

But for a photographer, dawn and dusk are a bit more expanded than you may think. About twenty minutes before the sun first peeks over the horizon in the morning there is a “false” dawn. This time of day will give you those intense cobalt blue colors you see in contest winners but haven’t been able to see in nature. As the sun gets closer and closer to the horizon, the colors start to get pinker. The colors you see at dawn are not the same as the colors you see at sunset. (They are more red and orange.)

Drag yourself out of bed a couple hours before dawn so that you will have enough time to grab a cup of coffee and make your way to your predetermined spot, get set up, and start shooting during the false dawn.

See what I mean about needing a desire to lose sleep? Most of your friends and camera club competition will be snoring away while you “get the shot”.

Angle of Light

“Untitled” captured by Eddie Leach

In addition to the terrific colors, you also get great light angles. Think of the last photo you saw of a body builder. Where was the light? I’d venture to guess that it was to the side. Actually, about 90 degrees to the camera-model axis.

This glancing side light causes heavy shadowing around the muscles, making them look more defined and actually larger. The light causes some specular highlights too, which makes the difference between highlight and shadow even more striking.

Now think of your landscape or your cityscape as a muscle bound model. The shadows caused by the glancing sunlight will help define and emphasize the shapes.

Composition

Next look for an interesting scene. Use foreground elements to draw the eye into the photo. Use the rule of thirds, leading lines, diagonals and other compositional techniques to draw the viewer’s eye.

“Autumn On Loch Etive” captured by Dave Murray

Throw in a few clouds to reflect the sun’s colors and add some visual interest to the sky, and you will be well on your way to winning photo contests.

Another compositional element to consider is the horizon, make it level! What is the most important element in your landscape or cityscape photo? Is it the sky? If so, put the horizon on the lower third of the shot. Is it the ground? Put the horizon in the upper third.

While there are times that placing the horizon in the middle is the right call, they are rare. Make sure you have a specific reason to do so.

Last but not least, make sure your photo has a “star”. What attracted you to the scene? Make sure you accent that feature and drive the viewer’s attention to it. Don’t make the mistake of trying to make the entire scene equally important. You need a star.

Sharpness

“Untitled” captured by Austin Donnelly

Use a tripod! When shooting landscapes–particularly in the predawn and post sunset times–you will need a long exposure! (Creating an acceptable depth of field requires shooting at minimal apertures, which means long shutter speeds.) Don’t even think of trying to get a contest winner by shooting handheld. It won’t happen.

Use the mirror lockup feature if your camera has one. Most of the better DSLR cameras do.

For the ultimate in photo sharpness, in addition to locking up the mirror, use a timed shutter release. It may seem like a bit of overkill, but these sharpness techniques can and do make a big difference.

Filters

Photoshop has the ability to do remarkable things, but there are limitations. Stop trying to “fix” photos in Photoshop. Get it right in the camera and use PS for some minor tweaks.

First, make sure you have a circular polarizing filter for each of your lenses. This eliminates glare and polarizes light. What this means is that you will get far more intense and saturated colors, and the clouds in the sky will “pop”.

Next, have a selection of neutral density filters. At least have filters that will give you 1, 2, and 3 extra stops–more if you can afford them. There are tons of uses for ND filters, but getting that silky, cotton candy effect in flowing rivers and waterfalls is the most common. You WILL want to do this–be ready.

Finally, add a couple graduated neutral density filters. This will help with your sunrise and sunset photos where the ground and the sky have dramatically different light levels.

“Batman Mountain” captured by Ævar Guðmundsson

Consider getting some colored graduated filters, too! I recommend at least having a tobacco colored filter. It is the most popular to add or intensify sunset colors.

In the excitement of the moment, it is easy to forget some of these admittedly basic but essential landscape photography tips and techniques.

Here is your assignment: make up a checklist (of these and any other landscape photography tips and techniques you can think of), have it laminated, and stick it in the side pocket of your camera bag.

Every time you are shooting, you can pull out your landscape photography tips and techniques checklist and won’t forget anything. Finally you will have the landscape photography techniques needed to let your artistic side shine through.

I challenge you to try USING these landscape photography tips and techniques this weekend, and prove me wrong!

About the Author:
Dan Eitreim writes for ontargetphototraining.com. He has been a professional photographer in Southern California for over 20 years. His philosophy is that learning photography is easy if you know a few tried and true strategies.

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